Live Sound Signal Processors

16 products


  • Behringer FBQ3102HD 31-Band Stereo Graphic Equalizer.

    Behringer FBQ3102HD 31-Band Stereo Graphic Equalizer

    FBQ3102HD   High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. Product Features Professional 31-band stereo graphic equalizer for live and studio applications
 Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
 Ultra-low noise 4580 operational amplifiers for highest signal integrity
 Dedicated mono subwoofer output with adjustable crossover frequency
 Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
 Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
 Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRAGRAPH PRO FBQ3102HD Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ3102HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the highfrequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix     FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!   Ultra-Low Noise Operation The high-definition FBQ3102HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 15-bands of smooth and precise equalization per channel, the stereo FBQ3102HD adds the finishing professional touch to your recordings and live shows.   Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ3102HD features an ultra-effetive Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ3102HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!   Built in Crossover Speaking of special low-frequency tools, the FBQ3102HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.   Stereo or Double-Duty? The FBQ3102HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.

    R 4,500.00

  • Last stock! Behringer FBQ6200HD 31-Band Stereo Graphic Equalizer.

    Behringer FBQ6200HD 31-Band Stereo Graphic Equalizer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. FBQ6200HD   High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Product Features  Audiophile 31-band stereo graphic equalizer for live and studio applications
 Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
 Ultra-low noise 4580 operational amplifiers for highest signal integrity
 Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
 Pink noise generator provides test signals to adapt your sound system to any room acoustics
 Mono subwoofer output with dedicated level control and adjustable crossover frequency
 Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
 Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
 Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRAGRAPH PRO FBQ6200HD Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ6200HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix     FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!   Ultra-Low Noise Operation The high-definition FBQ6200HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 31-bands of smooth and precise equalization per channel, the stereo FBQ6200HD adds the finishing professional touch to your recordings and live shows.   Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ6200HD features ultra-precise, variable High- and Low-Cut filters on each channel, with a sweepable frequency that helps remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ6200HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!   Built in Crossover Speaking of special low-frequency tools, the FBQ6200HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.   Stereo or Double-Duty? The FBQ6200HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.   FBQ6200HD – Much More Than Just a Great EQ Sure it’s an incredible high-definition graphic equalizer, but the FBQ6200HD has even more features, such as switchable limiters on each channel with separate Threshold controls, long-throw 45 mm frequency faders for added precision, and a built-in Pink Noise generator that enables the FBQ6200HD to function as a highly-accurate audio spectrum analyzer.

    R 5,500.00

  • Last stock! Behringer FX2000 Multi-Effects Processor.

    Behringer FX2000 Multi-Effects Processor

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FX2000  High-Performance 3D Multi-Engine Effects Processor  Product Features  71 breathtaking new algorithms?true RSM (Real Sound Modeling) stereo and 3D effects  Wave-adaptive virtual Room reverb algorithms for natural reverb and delay  Awesome modulation, dynamic, psychoacoustic, and EQ algorithms  Authentic amp simulation, distortion, and special effects  11 effect combinations with selectable serial/parallel configuration  Up to 7 adjustable parameters plus 2-band EQ per effect  24-bit A/D and D/A converters with 64/128-times oversampling  True stereo processing for realistic channel separation in stereo image  100 factory presets plus 100 user memory locations  Extensive MIDI implementation  Accurate LED level meters for perfect level setting and optimum performance  Servo-balanced XLR and TRS inputs and outputs  Designed and engineered in Germany    VIRTUALIZER 3D FX2000  Get even more mind-expanding power for your keyboard, bass, guitar, or vocals with the VIRTUALIZER 3D FX2000 effects processor. This amazing rack-mountable FX unit has 71 incredible algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 uses our RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion, and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive Virtual Room reverbs.    Enhanced User Editability  Logical grouping of parameters, along with the combination of encoders, buttons, LEDs, and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to 7 parameters per preset, and then save them for future use in the 100 provided memory locations. And the FX2000 features extensive MIDI capability, so you can integrate it into your MIDI setup – and even save your data via SysEx to protect all those incredible presets you’ll be customizing!    Reverbs & Delays  Because it is one of the effects you will use all the time, the FX2000 provides 12 uniquely different reverb programs, so you always have the ideal reverb no matter what your live performance or studio calls for.    Much More than Just Reverb and Delay  The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides exceptional modulation effects, such as chorus, flanger, and phaser – including special variations, such as a musical pitch shifter, tremolo, and even a rotating speaker simulation.    Extraordinary Value  With its extremely-powerful processing capability and versatile array of features, the FX2000 will quickly become the busiest tool in your audio arsenal. And you won’t believe how great the FX2000 sounds.   Watch Video...

    R 4,500.00

  • Last stock! Behringer FBQ2496 Feedback Destroyer.

    Behringer FBQ2496 Feedback Destroyer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FBQ2496 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 40 FBQ Filters and 96 kHz Audio Performance Product Features Ultra-high performance 2-channel 24-bit/96 kHz Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 40 feedback frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Panic button immediately takes action in feedback emergency situations "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-shot mode automatically detects and destroys feedback and locks filters until they are reset manually Ultra-high resolution 24-bit/96 kHz A/D and D/A converter plus 32-bit DSP for ultimate audio performance Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy savings Designed and engineered in Germany   FEEDBACK DESTROYER PRO FBQ2496 The FBQ2496 Feedback Destroyer PRO is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to offer a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.   One Smart Solution Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and “intelligently” locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, plus the Panic button, your FEEDBACK DESTROYER can be up and running in a matter of seconds.   Ease of Operation FBQ2496’s Auto mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.   Be Prepared With the FBQ2496’s various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix. And the FBQ2496 is more than just handy – it’s affordable! Check one out today at your nearest BEHRINGER dealer. Your ears – and your audience will thank you!

    R 5,500.00

  • Last stock! Behringer FBQ1502HD 15-Band Stereo Graphic Equalizer.

    Behringer FBQ1502HD 15-Band Stereo Graphic Equalizer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. FBQ1502HD   High-Definition 15-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Product Features Professional 15-band stereo graphic equalizer for live and studio applications
 Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
 Ultra-low noise 4580 operational amplifiers for highest signal integrity
 Dedicated mono subwoofer output with adjustable crossover frequency
 Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
 Highly accurate 4-segment LED output metering and input gain controls for easy level setting
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRAGRAPH PRO FBQ1502HD Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ1502HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the highfrequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix     FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!   Ultra-Low Noise Operation The high-definition FBQ1502HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 15-bands of smooth and precise equalization per channel, the stereo FBQ1502HD adds the finishing professional touch to your recordings and live shows.   Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ1502HD features an ultra-effective Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ1502HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!   Built in Crossover Speaking of special low-frequency tools, the FBQ1502HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.   Stereo or Double-Duty? The FBQ1502HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.

    R 2,800.00

  • Last stock! Behringer Cx2310 V2 2-Way/Mono 3-Way Crossover.

    Behringer Cx2310 V2 2-Way/Mono 3-Way Crossover

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.CX2310 V2   High-Precision Stereo 2-Way/Mono 3-Way Crossover with Subwoofer Output Product Features Professional stereo 2-way/mono 3-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
 Additional subwoofer output with independent Frequency control
 Absolutely flat summed amplitude response, zero phase difference
 Individual output Gain controls for all bands
 Individual output Mute switches for easy band adjustment
 Individual Phase reverse switches for instant phase correction
 Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
 Servo-balanced and gold-plated XLR connectors for all inputs and outputs
 Ultra-high precision potentiometers for ultimate accuracy and repeatability
 Illuminated switches for secure operation in dark stage environments
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 Designed and engineered in Germany
   SUPER-X PRO CX2310 V2 The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!   Sound Quality When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!   What’s a Crossover? Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)   That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.   Divide and Conquer The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.

    R 3,000.00

  • Behringer Cx3400 V2 2-Way/3-Way/Mono 4-Way Crossover.

    Behringer Cx3400 V2 2-Way/3-Way/Mono 4-Way Crossover

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.CX3400 V2 High-Precision Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction Product Features Professional stereo 2-way/3-way/mono 4-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
 Individual Limiters on each output for optimal loudspeaker protection
 Adjustable time delay for phase alignment between drivers
 CD horn equalization for constant directivity horn compensation
 Absolutely flat summed amplitude response, zero phase difference
 "Low Sum" function provides mono output for subwoofer operation
 Individual output Gain controls for all bands
 Individual output Mute switches for easy band adjustment
 Individual Phase reverse switches for instant phase correction
 Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
 Servo-balanced and gold-plated XLR connectors for all inputs and outputs
 Ultra-high precision potentiometers for ultimate accuracy and repeatability
 Illuminated switches for secure operation in dark stage environments
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 Designed and engineered in Germany
   SUPER-X PRO CX3400 V2 The CX3400 stereo 2-way/3-way/ mono 4-way crossover provides the ultimate in high-precision audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra-low-noise op-amps, and balanced I/O connectivity. CX3400 features include Limiters on all crossover outputs for optimal loudspeaker protection; an adjustable Time Delay for proper phase-alignment of the drivers; High-Frequency (HF) horn equalization for constant-directivity compensation; and a mono “Low Sum” Output (stereo modes only), which is ideal for your subwoofer applications.   Sound Quality When a sound system is properly tuned, it becomes powerful, balanced, and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp, and well defined. The CX3400 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus offer Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!   What’s a Crossover? Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!) That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.   Divide and Conquer The CX3400 provides three modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way stereo, for Left and Right Lows, Mids and Highs; and 4-way mono, for Lows, Low-Mids, High-Mids and Highs. For your convenience, the CX3400’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.   CD Horn Compensation When a driver radiates into open space via a horn, its efficiency increases. Over the past few years, constant-directivity horns have gained widespread popularity, since they are designed to produce consistent dispersion over their entire frequency range – however, the higher the frequency, the lower the efficiency. To compensate for this, the CX3400 includes a switchable pre-EQ for CD horns that ensures a fl at frequency response, even before equalization is applied. This pre-EQ raises the signal gain by 3 dB at 3.5 kHz, which then increases by 6 dB/oct. up to 22.5 kHz.   Low Sum Output In stereo mode, the CX3400 can be switched to “Mono Bass” mode by pressing the Low Sum button. When this feature is activated, the LF signals in the Left and Right channels are summed together and then routed to the Channel 1 Low Output, where it can be used to drive your active subwoofers, passive subwoofer power amplifiers, or lighting controllers, etc. The Low Sum Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional.

    R 4,000.00

  • Behringer HD400 2-Channel Hum Destroyer.

    Behringer HD400 2-Channel Hum Destroyer

    HD400 Ultra-Compact 2 Channel Hum Destroyer Product Features Removes AC hum and noise - fast, easy and reliable Breaks ground loops safely, while keeping highest sonic quality 2 independent channels for 2 mono or 1 stereo signal Automatically converts unbalanced to balanced signals without signal loss Designed and engineered in Germany   MICROHD HD400 The HD400 is the ultra-affordable way to quickly and easily clean up your act! Whether you’re recording or performing, it’s important to keep AC hum out of the mix. No matter the quality of the venue’s wiring, the MICROHD HD400 Hum Destroyer eliminates AC hum quickly and reliably.   Mighty Hum Hunter The HD400 features two channels allowing you to eliminate hum in two mono signals or one stereo signal. Placing the HD400 in-line between your stereo mixer and power amps for a squeaky-clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality. It can even convert your unbalanced signals into balanced without any signal degradation.   Hum Killer of a Deal The incredibly-handy MICROHD HD400 is small enough to ride to the gig in your pocket, but really big when it comes to cleaning up your sound.  

    R 650.00

  • Behringer FBQ1000 Feedback Destroyer.

    Behringer FBQ1000 Feedback Destroyer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FBQ1000  Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters  Product Features  High-performance 2-channel Feedback Destroyer and Parametric EQ  Automatically and "intelligently" locates and destroys up to 24 frequencies  Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping the highest sonic quality  "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance  Auto mode continuously monitors the mix and automatically sets filters  Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually  Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth, and gain parameters  Extensive MIDI implementation and user preset memories for instant program recalls  Balanced inputs and servo-balanced outputs with ?'' TRS and gold-plated XLR connectors  Designed and engineered in Germany    FEEDBACK DESTROYER FBQ1000  The FBQ1000 Feedback Destroyer is the fastest feedback suppressor on the market, with a response time of less than 0.2 seconds. Whether you use it to kill feedback dead in its tracks for your mains and/or monitors, or as a sophisticated parametric equalizer to fine-tune the acoustics of your next gig, the FBQ1000 will bring a new level of finesse to your sound.   One Smart Solution  Using an ultra-fast feedback detection algorithm, the FBQ1000 automatically and “intelligently” locates up to 12 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, your Feedback Destroyer can be up and running in a matter of seconds.    Ease of Operation  FBQ1000’s Auto mode continuously monitors the mix, resetting programmed filters automatically to eliminate the slightest hint of feedback – without you having to do anything at all! It doesn’t get much easier than this. If you prefer a more “hands-on” approach, the Manual mode allows programming up to 24 fully-parametric filters (with Frequency, Bandwidth, and Gain controls) to optimize your sound to the room’s acoustics.    Watch Video...

    R 3,400.00

  • Behringer SX3040 V2 Sound Enhancement Processor.

    Behringer SX3040 V2 Sound Enhancement Processor

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. SX3040 V2 Ultimate Stereo Sound Enhancement Processor   Product Features  Dramatically improves your sound by adding clarity, dimension and depth
 Produces natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation
 Professional and home recording studios: brings out the full sound spectrum of your tracks, mixdown and mastering
 PA, nightclub and DJ systems: improves the performance of any sound system by adding sparkling high end and super-tight bass without the need for additional speakers or amps
 Churches and houses of worship: dramatically increases voice intelligibility and your music gains presence
 Guitar, bass and keyboard rack: improves articulation and restores cutting power often lost in miking and amplification
 Broadcasting and webcasting: adds loudness and "live presence" even on small car or computer speakers
 1 and hi-fi setups: DVDs become stunningly lifelike and the spatial dimension of your sound system increases dramatically
 Dedicated Tune, Harmonics and Mix controls per channel on the Sonic Exciter section
 Dedicated Drive, Tune and Mix controls per channel on the Bass Processor section
 Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 3-Year Warranty Program*
 Designed and engineered in Germany
   SONIC EXCITER SX3040 V2 The incredible SONIC EXCITER SX3040 will make your live performances and recordings more powerful, dynamic and superbly articulate. Equipped with a special phase-compensating Bass Processor and Sonic Exciter, the SX3040 adds amazing depth, punch and sparkling clarity – to dramatically enhance sound quality. And thanks to SX3040’s twin channels, you process a stereo signal, or a bass in one channel – and a keyboard, vocal or guitar in the other. The ultimate sound improvement tool for home and professional recording studios, DJ systems, PA systems and webcasting, the SONIC EXCITER SX3040 is also an amazing addition to your 5.1 surround and hi-fi setups.   A “Must-Have” for the Studio In the recording studio, the sound is the only thing that matters – and it has to be just right! The SX3040 provides the tools to fine-tune the perfect recording session, whether you're working on a single track or mastering your completed project for distribution or duplication. For that professional finishing touch, the SX3040 opens up the full sonic spectrum allowing you to add sizzle to drum overheads, tighten up the bass – and bring unparalleled focus to vocal tracks and instrument / amp-miking applications.   Vibrant Live Sound The 2-channel SX3040 features a Bass Processor and Sonic Exciter per channel, providing the perfect way to add stunning clarity and incredible low-end punch to your live sound system. By adding sparkling high end and super-tight bass, without the need for additional speakers or amps, the SX3040 breathes new life into any PA, nightclub or DJ system. You’ll easily master the simple controls to bring out the very best in your sound – whether you’re mixing a duo in a coffee house, or dialing a massive outdoor concert!   House of Worship In house of worship applications, voice intelligibility is of critical importance for getting the speaker’s message across. The SX3040 Sonic Exciter function’s wide tuning range lets you dial-in the ideal frequency enabling crisp and detailed delivery of the spoken word. For musical content, SX3040’s Bass Processor becomes an effective, professional-grade “loudness” control – adding much needed punch and dynamics for impactful performances – even when the overall volume must be kept at lower levels.   The Bass Processor With its dedicated Drive, Tune and Mix controls, the Bass Processor allows you to dial-in the perfect bottom end for live sound or recording applications. Turning the Drive knob adjusts the bass intensity, which is properly set when the green LED lights up regularly during loud bass signal peaks. The longer the LED lights up, the longer the duration of the bass signal at peak levels (Sustain), leading to a tighter and more voluminous bass. The Tune knob selects the upper cut-off frequency between 50 Hz - 160 Hz, while the Mix control sets the amount of the processed bass signal is blended with the original.   The Sonic Exciter SX3040’s Sonic Exciter section is all about adding harmonic content to your music, the natural range of overtones that give music its openness and liveliness – harmonics that are often lost when amplifiers and instruments are miked. Tune sets the cut-off frequency within the range from 1.3 kHz - 10 kHz, while the Harmonics control sets the amount of harmonics that are added to the signal, and has a direct influence on the detail reproduction and quality of the sound. Mix adjusts how much of the processed sound is mixed with the original signal.  

    R 2,400.00

  • Behringer FBQ100 Feedback Destroyer,fastrak-sa.

    Behringer FBQ100 Feedback Destroyer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FBQ100  Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate, and Compressor    Product Features  High-performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate, and compressor  Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping the highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet, and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ?'' TRS and gold-plated XLR connectors  Designed and engineered in Germany   SHARK FBQ100  Looking for feedback control? Maybe you need a compression or noise gate? Or a great DI box for line-level instruments? Whether you use it with microphones, acoustic instruments, or as a delay line for large venue loudspeaker systems, the FBQ100 is a “must-have” for your live and studio toolkit. Thanks to its intelligent “Learn Mode,” the FBQ100 can automatically equalize your PA and protect your sound system from feedback.  BEHRINGER’s search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single-shot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.    Beyond Versatile  The adjustable mic preamp, with switchable +48 V phantom power and Ultra-Low Noise technology, guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.    Total Loudspeaker Management  Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100’s delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack-mount kit puts a complete professional loudspeaker management system at your fingertips.      Watch Video...  

    R 2,000.00

  • Behringer DCX2496Le Loudspeaker Management System.

    Behringer DCX2496Le Loudspeaker Management System

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. DCX2496LE Ultra-High Precision Digital 24-Bit/96 kHz Loudspeaker Management System Product Features 2 analog inputs and 6 analog outputs for maximum flexibility
 High-end 96 kHz converters for ultimate signal integrity and wide dynamic range (120 dB)
 Precise Dynamic EQs for level-dependent equalization and extremely musical Parametric EQs, selectable for all inputs and outputs
 Several types of EQs (LP/BP/HP) for each input and output
 "Zero"-attack Limiters on all output channels for optimal speaker protection
 Four different mono and stereo output operating modes
 Individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave
 Adjustable Delays for all inputs and outputs?allow manual or automatic correction for room temperature, phase and arrival time differences
 60 user-defined internal presets storable
 Servo-balanced, gold-plated XLR connectors for all inputs and outputs
 Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRADRIVE DCX2496LE The ULTRADRIVE DCX2496LE is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The new DCX2496 “LE” version offers the same impeccable audio performance as the original DCX2496, but with reduced functionality as many customers do not require the digital inputs and outputs of the standard version. The DCX2496LE is the perfect way to manage a multi-speaker sound system in any sized venue – from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.   Superb Connectivity and Impeccable Sound Quality With 2 analog inputs and 6 analog outputs on servo-balanced, gold-plated XLR connectors and four different mono and stereo output operating modes, you get maximum flexibility in just one rack space. Superb high-end Cirrus Logic* 24-bit/96 kHz AD and DA converters give you ultimate signal integrity and an incredible dynamic range.   Huge Processing Power Speaker protection and processing are the cornerstones for any speaker management system. The DCX2496LE features precise dynamic EQs for level-dependent equalization, plus extremely musical parametric EQs that can be applied to all I/O for high-precision signal sculpting. 6 outputs with individual crossover filters, including your choice of Butterworth, Bessel and Linkwitz-Riley designs, each with selectable roll-off characteristics from 6 to 48 dB/octave – perfect for optimizing any 2, 3, or 4-way system. Finally, our “Zero”-attack limiters provide the ultimate in loudspeaker protection on all output channels.   Limitless Control In addition to the plethora of EQ filter and crossover options, the DCX2496LE offers adjustable delays for all I/O, allowing you to either manually, or automatically correct for room temperature, phase and arrival time differences in order to perfectly configure your delay-line speakers. You can store up to 60 user-defined presets internally for quick recall any time you change location. The DCX2496LE gives you the rock-solid solution for great sound – show after show!

    R 8,700.00

Live Sound Signal Processors

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