FBQ3102HD
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
Product Features
Professional 31-band stereo graphic equalizer for live and studio applications
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
Ultra-low noise 4580 operational amplifiers for highest signal integrity
Dedicated mono subwoofer output with adjustable crossover frequency
Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Designed and engineered in Germany
ULTRAGRAPH PRO FBQ3102HD
Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ3102HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band.
The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums
The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals
The right-hand lanes have all the highfrequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
FBQ - Totally Feedback-Free
For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!
Ultra-Low Noise Operation
The high-definition FBQ3102HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 15-bands of smooth and precise equalization per channel, the stereo FBQ3102HD adds the finishing professional touch to your recordings and live shows.
Special Tools for Low and High Frequencies
The low-frequency sound range requires special attention. That’s why the FBQ3102HD features an ultra-effetive Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ3102HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!
Built in Crossover
Speaking of special low-frequency tools, the FBQ3102HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.
Stereo or Double-Duty?
The FBQ3102HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
FBQ6200HD
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System
Product Features
Audiophile 31-band stereo graphic equalizer for live and studio applications
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
Ultra-low noise 4580 operational amplifiers for highest signal integrity
Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
Pink noise generator provides test signals to adapt your sound system to any room acoustics
Mono subwoofer output with dedicated level control and adjustable crossover frequency
Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Designed and engineered in Germany
ULTRAGRAPH PRO FBQ6200HD
Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ6200HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band.
The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums
The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals
The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
FBQ - Totally Feedback-Free
For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance.
Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!
Ultra-Low Noise Operation
The high-definition FBQ6200HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum.
With 31-bands of smooth and precise equalization per channel, the stereo FBQ6200HD adds the finishing professional touch to your recordings and live shows.
Special Tools for Low and High Frequencies
The low-frequency sound range requires special attention. That’s why the FBQ6200HD features ultra-precise, variable High- and Low-Cut filters on each channel, with a sweepable frequency that helps remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom.
This added high-precision control gives the FBQ6200HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!
Built in Crossover
Speaking of special low-frequency tools, the FBQ6200HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.
Stereo or Double-Duty?
The FBQ6200HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.
FBQ6200HD – Much More Than Just a Great EQ
Sure it’s an incredible high-definition graphic equalizer, but the FBQ6200HD has even more features, such as switchable limiters on each channel with separate Threshold controls, long-throw 45 mm frequency faders for added precision, and a built-in Pink Noise generator that enables the FBQ6200HD to function as a highly-accurate audio spectrum analyzer.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FBQ2496
Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 40 FBQ Filters and 96 kHz Audio Performance
Product Features
Ultra-high performance 2-channel 24-bit/96 kHz Feedback Destroyer and Parametric EQ
Automatically and "intelligently" locates and destroys up to 40 feedback frequencies
Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Panic button immediately takes action in feedback emergency situations
"Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
Auto mode continuously monitors the mix and automatically sets filters
Single-shot mode automatically detects and destroys feedback and locks filters until they are reset manually
Ultra-high resolution 24-bit/96 kHz A/D and D/A converter plus 32-bit DSP for ultimate audio performance
Extensive MIDI implementation and user preset memories for instant program recalls
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy savings
Designed and engineered in Germany
FEEDBACK DESTROYER PRO FBQ2496
The FBQ2496 Feedback Destroyer PRO is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to offer a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.
One Smart Solution
Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and “intelligently” locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched.
And with the “Set-and-Forget” default setting, plus the Panic button, your FEEDBACK DESTROYER can be up and running in a matter of seconds.
Ease of Operation
FBQ2496’s Auto mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment.
Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.
Be Prepared
With the FBQ2496’s various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix. And the FBQ2496 is more than just handy – it’s affordable! Check one out today at your nearest BEHRINGER dealer. Your ears – and your audience will thank you!
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
FBQ1502HD
High-Definition 15-Band Stereo Graphic Equalizer with FBQ Feedback Detection System
Product Features
Professional 15-band stereo graphic equalizer for live and studio applications
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
Ultra-low noise 4580 operational amplifiers for highest signal integrity
Dedicated mono subwoofer output with adjustable crossover frequency
Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
Highly accurate 4-segment LED output metering and input gain controls for easy level setting
Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Designed and engineered in Germany
ULTRAGRAPH PRO FBQ1502HD
Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now!
The ULTRAGRAPH PRO FBQ1502HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band.
The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums
The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals
The right-hand lanes have all the highfrequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
FBQ - Totally Feedback-Free
For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance.
Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!
Ultra-Low Noise Operation
The high-definition FBQ1502HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum.
With 15-bands of smooth and precise equalization per channel, the stereo FBQ1502HD adds the finishing professional touch to your recordings and live shows.
Special Tools for Low and High Frequencies
The low-frequency sound range requires special attention. That’s why the FBQ1502HD features an ultra-effective Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom.
This added high-precision control gives the FBQ1502HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!
Built in Crossover
Speaking of special low-frequency tools, the FBQ1502HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.
Stereo or Double-Duty?
The FBQ1502HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.CX2310 V2
High-Precision Stereo 2-Way/Mono 3-Way Crossover with Subwoofer Output
Product Features
Professional stereo 2-way/mono 3-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
Additional subwoofer output with independent Frequency control
Absolutely flat summed amplitude response, zero phase difference
Individual output Gain controls for all bands
Individual output Mute switches for easy band adjustment
Individual Phase reverse switches for instant phase correction
Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
Servo-balanced and gold-plated XLR connectors for all inputs and outputs
Ultra-high precision potentiometers for ultimate accuracy and repeatability
Illuminated switches for secure operation in dark stage environments
Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
Designed and engineered in Germany
SUPER-X PRO CX2310 V2
The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz.
By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!
Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency.
All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!
What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves.
And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)
That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content.
Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.
Divide and Conquer
The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs.
In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional.
For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.CX3400 V2
High-Precision Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction
Product Features
Professional stereo 2-way/3-way/mono 4-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
Individual Limiters on each output for optimal loudspeaker protection
Adjustable time delay for phase alignment between drivers
CD horn equalization for constant directivity horn compensation
Absolutely flat summed amplitude response, zero phase difference
"Low Sum" function provides mono output for subwoofer operation
Individual output Gain controls for all bands
Individual output Mute switches for easy band adjustment
Individual Phase reverse switches for instant phase correction
Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
Servo-balanced and gold-plated XLR connectors for all inputs and outputs
Ultra-high precision potentiometers for ultimate accuracy and repeatability
Illuminated switches for secure operation in dark stage environments
Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
Designed and engineered in Germany
SUPER-X PRO CX3400 V2
The CX3400 stereo 2-way/3-way/ mono 4-way crossover provides the ultimate in high-precision audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra-low-noise op-amps, and balanced I/O connectivity. CX3400 features include Limiters on all crossover outputs for optimal loudspeaker protection; an adjustable Time Delay for proper phase-alignment of the drivers; High-Frequency (HF) horn equalization for constant-directivity compensation; and a mono “Low Sum” Output (stereo modes only), which is ideal for your subwoofer applications.
Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced, and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp, and well defined. The CX3400 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus offer Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!
What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!) That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.
Divide and Conquer
The CX3400 provides three modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way stereo, for Left and Right Lows, Mids and Highs; and 4-way mono, for Lows, Low-Mids, High-Mids and Highs. For your convenience, the CX3400’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.
CD Horn Compensation
When a driver radiates into open space via a horn, its efficiency increases. Over the past few years, constant-directivity horns have gained widespread popularity, since they are designed to produce consistent dispersion over their entire frequency range – however, the higher the frequency, the lower the efficiency. To compensate for this, the CX3400 includes a switchable pre-EQ for CD horns that ensures a fl at frequency response, even before equalization is applied. This pre-EQ raises the signal gain by 3 dB at 3.5 kHz, which then increases by 6 dB/oct. up to 22.5 kHz.
Low Sum Output
In stereo mode, the CX3400 can be switched to “Mono Bass” mode by pressing the Low Sum button. When this feature is activated, the LF signals in the Left and Right channels are summed together and then routed to the Channel 1 Low Output, where it can be used to drive your active subwoofers, passive subwoofer power amplifiers, or lighting controllers, etc. The Low Sum Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
SX3040 V2
Ultimate Stereo Sound Enhancement Processor
Product Features
Dramatically improves your sound by adding clarity, dimension and depth
Produces natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation
Professional and home recording studios: brings out the full sound spectrum of your tracks, mixdown and mastering
PA, nightclub and DJ systems: improves the performance of any sound system by adding sparkling high end and super-tight bass without the need for additional speakers or amps
Churches and houses of worship: dramatically increases voice intelligibility and your music gains presence
Guitar, bass and keyboard rack: improves articulation and restores cutting power often lost in miking and amplification
Broadcasting and webcasting: adds loudness and "live presence" even on small car or computer speakers
1 and hi-fi setups: DVDs become stunningly lifelike and the spatial dimension of your sound system increases dramatically
Dedicated Tune, Harmonics and Mix controls per channel on the Sonic Exciter section
Dedicated Drive, Tune and Mix controls per channel on the Bass Processor section
Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
3-Year Warranty Program*
Designed and engineered in Germany
SONIC EXCITER SX3040 V2
The incredible SONIC EXCITER SX3040 will make your live performances and recordings more powerful, dynamic and superbly articulate. Equipped with a special phase-compensating Bass Processor and Sonic Exciter, the SX3040 adds amazing depth, punch and sparkling clarity – to dramatically enhance sound quality. And thanks to SX3040’s twin channels, you process a stereo signal, or a bass in one channel – and a keyboard, vocal or guitar in the other.
The ultimate sound improvement tool for home and professional recording studios, DJ systems, PA systems and webcasting, the SONIC EXCITER SX3040 is also an amazing addition to your 5.1 surround and hi-fi setups.
A “Must-Have” for the Studio
In the recording studio, the sound is the only thing that matters – and it has to be just right! The SX3040 provides the tools to fine-tune the perfect recording session, whether you're working on a single track or mastering your completed project for distribution or duplication. For that professional finishing touch, the SX3040 opens up the full sonic spectrum allowing you to add sizzle to drum overheads, tighten up the bass – and bring unparalleled focus to vocal tracks and instrument / amp-miking applications.
Vibrant Live Sound
The 2-channel SX3040 features a Bass Processor and Sonic Exciter per channel, providing the perfect way to add stunning clarity and incredible low-end punch to your live sound system. By adding sparkling high end and super-tight bass, without the need for additional speakers or amps, the SX3040 breathes new life into any PA, nightclub or DJ system. You’ll easily master the simple controls to bring out the very best in your sound – whether you’re mixing a duo in a coffee house, or dialing a massive outdoor concert!
House of Worship
In house of worship applications, voice intelligibility is of critical importance for getting the speaker’s message across. The SX3040 Sonic Exciter function’s wide tuning range lets you dial-in the ideal frequency enabling crisp and detailed delivery of the spoken word. For musical content, SX3040’s Bass Processor becomes an effective, professional-grade “loudness” control – adding much needed punch and dynamics for impactful performances – even when the overall volume must be kept at lower levels.
The Bass Processor
With its dedicated Drive, Tune and Mix controls, the Bass Processor allows you to dial-in the perfect bottom end for live sound or recording applications. Turning the Drive knob adjusts the bass intensity, which is properly set when the green LED lights up regularly during loud bass signal peaks. The longer the LED lights up, the longer the duration of the bass signal at peak levels (Sustain), leading to a tighter and more voluminous bass. The Tune knob selects the upper cut-off frequency between 50 Hz - 160 Hz, while the Mix control sets the amount of the processed bass signal is blended with the original.
The Sonic Exciter
SX3040’s Sonic Exciter section is all about adding harmonic content to your music, the natural range of overtones that give music its openness and liveliness – harmonics that are often lost when amplifiers and instruments are miked. Tune sets the cut-off frequency within the range from 1.3 kHz - 10 kHz, while the Harmonics control sets the amount of harmonics that are added to the signal, and has a direct influence on the detail reproduction and quality of the sound. Mix adjusts how much of the processed sound is mixed with the original signal.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate, and Compressor
Product Features
High-performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate, and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping the highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet, and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ?'' TRS and gold-plated XLR connectors
Designed and engineered in Germany
SHARK FBQ100
Looking for feedback control? Maybe you need a compression or noise gate? Or a great DI box for line-level instruments? Whether you use it with microphones, acoustic instruments, or as a delay line for large venue loudspeaker systems, the FBQ100 is a “must-have” for your live and studio toolkit. Thanks to its intelligent “Learn Mode,” the FBQ100 can automatically equalize your PA and protect your sound system from feedback.
BEHRINGER’s search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single-shot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.
Beyond Versatile
The adjustable mic preamp, with switchable +48 V phantom power and Ultra-Low Noise technology, guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.
Total Loudspeaker Management
Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100’s delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack-mount kit puts a complete professional loudspeaker management system at your fingertips.
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Behringer BEQ700 Ultimate 7-Band Graphic Equalizer BEQ700
Ultimate 7-Band Graphic Equalizer
Product Features
Shape your sound and eliminate feedback with 7 bands of equalization
This Behringer product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
Designed and engineered in Germany
Master of Tone
With 15 dB available boost or cut per band, the BEQ700’s seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even extended range instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.
The BEQ700 covers the audio spectrum from below 50 Hz to over 10 kHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band.
The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums
The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals
The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
Applying EQ to Bass Instruments
When frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low-frequency response.
The fundamental notes of most basses fall within the 40 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are off ending, and by turning up the overall volume rather than boosting one specific band.
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage “rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the “hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
EQ700
Ultimate 7-Band Graphic Equalizer
Product Features
Shape your sound and eliminate feedback with 7 bands of equalization
This Behringer product has been designed to compete head to head with leading products on the market
Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
First-class electronic on/off switch for highest signal integrity in bypass mode
Designed and engineered in Germany
Master of Tone
With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone.
The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low-frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the high- frequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
Page Break
Applying EQ to the Guitar
Most acoustic and electric guitar energy lies between 100 Hz and 6.4 kHz. Even slight changes in this range can cause a tremendous variation in overall energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz - 400 Hz often provide warmth and body, while boosting frequencies in the 3.2 kHz - 6.4 kHz range adds clarity to clean guitar signals. Depending on the amount of distortion, this same range can ruin the sound of an overdriven electric guitar by adding harsh harmonics. One of the most common mistakes is adding too much bass to acoustic guitars. If the low frequencies are boosted excessively, acoustics can easily get lost in the overall mix. Most acoustic guitars are also prone to feedback in the 200 Hz - 400 Hz range. A general rule of thumb – the best results are often achieved by finding and reducing the frequency bands that are offending, and then turning up the overall volume, rather than boosting one specific band.
How the specific frequency bands of the EQ700 can shape your sound:
100 Hz (low bass) Boost: To add fullness to guitars, especially clean electrics Cut: To reduce muddy or boomy tone and control acoustic guitar feedback 200 Hz (soft bass) Boost: To increase the warmth of all guitars and provide a slightly harder sound Cut: To increase clarity and reduce feedback in acoustic guitars 400 Hz (hard bass) Boost: To add definition to rhythm parts Cut: To reduce feedback in acoustic guitars (This is a major feedback zone for piezo-equipped flattops) 800 Hz Boost: To add an aggressive edge to the overall sound Cut: For reducing the nasal or horn-like content, often referred to as the “cheap guitar” syndrome 1.6 kHz Boost: To make the guitar cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate dullness and competition with vocals (vocal fundamentals occupy the range from about 1.0 kHz - 2.5 kHz) 3.2 kHz Boost: To add significant attack to all guitars. Creates an even more distinctive plucked tone Cut: To eliminate harshness 6.4 kHz Boost: To add edge and increase brightness to all guitars Cut: To soften thin-sounding guitars and remove string squeak
Sound Value
The EQ700 offers more features than anything in its class – and it's kind to your wallet! From its easy–to–use controls, to its noise-free On/Off switch – the EQ700 will keep you solidly in the zone.
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