Modular Synthesizers

961 INTERFACE   Legendary Analog Multi-Channel Trigger Converter Module for Eurorack   Product Features     Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Dual multi-channel V-trig to S-trig converter
 Dual S-trig to V-trig converter
 Audio to V-trig converter
 Variable switch on delay controls for Column B V-trig inputs
 Control for setting audio sensitivity for V-trig conversion
 Eurorack specs: 21 HP, 50 mA +12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   961 INTERFACE Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the “Modular 55” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Converters The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.   Controls Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the “ON” duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.   Eurorack Ready Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 961 INTERFACE module from Behringer is a great tool to have when creating amazing music. Get the 961 INTERFACE from your local Behringer dealer today!  

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Behringer CM1A MIDI to CV Converter Module for Eurorack Product Features Converts MIDI signals to analogue control voltages for modular synthesizers. High-resolution 16-Bit Texas Instruments DAC for high resolution and pitch accuracy Enables modular synthesizers to be controlled by a MIDI keyboard, sequencer, or DAW. Dual trigger outputs can be used to control envelope generators. Select between V-trigger, S-trigger, or both for maximum flexibility. Eurorack specs: 6 HP, 70 mA +12 V, 10 mA -12 V   Modular Synthesis The first SYSTEM 55, 35 and 15 synth modules came out in the early '70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.    CM1A Enter the Behringer CM1A Module. A high-resolution 16-Bit MIDI to CV Converter that allows you to control any modular synth in your setup with a MIDI keyboard, sequencer, or DAW to open an infinite number of ways to make some amazing tunes and a whole realm of sonic possibilities. Plus, its 16-Bit Texas Instruments DAC ensures the highest resolution sound quality and pitch accuracy.    Connect and Control By integrating the CM1A into your setup, you can now control your synths in a multitude of ways. Connect your computer to the USB port on the CM1A and control your CV and Trig outputs via a DAW. The CM1A can even receive firmware updates through this connection. Want to use your MIDI controller instead? Plug it in to the MIDI In with your other devices to the MIDI Thru port and transmit signals by playing as you would.     Time to Pull the Trigger The CM1A comes equipped with dual trigger outputs that can be used to control any of your favourite envelope generators. You can even switch between V-trig, S-trig or both types of outputs simultaneously via the Trig Mode Switch.    Eurorack Ready Installing the CM1A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CM1A to be mixed with other synth modules for a truly unique set up.    Amazing Gear at an Affordable Price Whether you’re just getting into modular synths or looking to complete your collection, the CM1A module from Behringer is a great tool to have when creating amazing music.  Get the CM1A from your local Behringer dealer today! 

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. K-2  Analog and Semi-Modular Synthesizer with Dual VCOs, Ring Modulator, External Signal Processor, 16-Voice Poly Chain, and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for insanely fat music creation.
 Authentic reproduction of original circuitry with matched transistors and JFETs
 Pure analog signal path based on authentic VCO, VCF, and VCA designs
 Semi-modular architecture with default routings requires no patching for immediate performance.
 First- and second-generation filter design (high pass/low pass with peak/resonance)
 4 variable oscillator shapes with variable pulse widths and ring modulation for ultimate sounds
 Dedicated and fully analog triangle/square wave LFO.
 2 analog Envelope Generators for modulation of VCF and VCA
 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony.
 Complete Eurorack solution main module can be transferred to a standard Eurorack case.
 36 controls give you direct and real-time access to all important parameters.
 External audio input for processing external sound sources.
 Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection
 Designed and engineered in the U.K.
   K-2 Although only produced from 1978 to 1983, Korg synthesizers have been favored by numerous world-famous artists including Aphex Twin; Arcade Fire; the BBC Radiophonic Workshop; Daft Punk; Depeche Mode; A Flock of Seagulls; Gorillaz; Orchestral Manoeuvres in the Dark; Snarky Puppy and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard.   Pure Analog Signal Path Great care has been taken in engineering the K-2, including the true to the original VCO, VCF, and VCA designs and pure analog circuitry with matched transistors and JFETs. This highly-focused attention to detail is what gives K-2 its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your K-2 comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM, and synth-pop music synthesizer tracks that made rock and roll history.   Versatile VCF The very heart of K-2’s sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cut-off Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cut-off frequency, effectively reducing the levels of the fundamental and lower-order harmonics.   Vintage Oscillators K-2’s authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise, and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2’s waveform can be selected from reverse-sawtooth, square, narrow pulse, and ring, where both oscillators are operating. VCO 2’s pitch can also be varied independently across a 4-octave range (16', 8', 4', and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.   The Envelope, Please... K-2’s Low-Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz – and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack, and Release Time, while generator 2 adjusts the cut-off frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA).   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), K-2’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.  

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DUAL NOISE / RANDOM VOLTAGE GENERATOR MODULE 1016 Legendary 2500 Series Dual Noise Source Module for Eurorack Product Features Classic 1016 analog dual noise and random voltage generator module from the '70s Authentic reproduction of the circuitry from the "2500" Series The module consists of 2 identical white/pink noise and Random Voltage generators The noise outputs are generated from 2 independent transistor noise sources Filtering of the white noise is used to transform into pink noise and finally a slow random voltage 2 output attenuators enable the outputs to be reduced in volume White or Pink Noise are selectable via slide switch and LED indication Random Voltage can be switched on and off via slide switch with LED indication White noise is generated from 5 Hz to 20 kHz and Pink noise is filtered to attenuate the highs and boost the low frequencies resulting in equal energy per octave Slow random voltages feature peak signal power between 1 Hz and 10 Hz Eurorack specs: 14 HP, XX mA +12 V, XX mA -12 V   Modular Synthesis The first 2500 series synth modules came out in the 70s and tended to be extremely expensive. They were mainly all discrete transistor designs with some op-amps as at the time op-amps were high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like The Who, Jean Michel Jarre, Vangelis, Kraftwerk and so many more, giving us some of the greatest records and film soundtracks we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   DUAL NOISE/RANDOM VOLTAGE MODULE 1016 This is the Behringer 2500 series DUAL NOISE/RANDOM VOLTAGE MODULE 1016. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 in with your existing rig or start your modular synth journey from here. Either way you’re sure to have a lot of fun.   DUAL NOISE/RANDOM VOLTAGES The DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is a classic discrete transistor white/pink/random noise source with independent attenuators for the white/pink noise level, a white /pink selector switch with color coded LED’s. The slow random voltage generator produces random CV voltages and the maximum level can be controlled via the attenuators as well as an on/off switch with LED indicators for each channel. The 2 channels are completely independent of each other for even more creative possibilities.   Ins and Outs The 1016 gives you comprehensive connectivity, each channel has a separate white/pink noise output and separate outputs for the random voltages, the outputs are all available simultaneously to feed multiple noise and CV signals to other modules.   Eurorack Ready Installing the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1016 to be mixed with other synth modules for a truly unique set up.   Complete Your Setup Whether you’re just getting into modular synths or looking to complete your collection, the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 from Behringer is a great tool to have when creating amazing music. Get the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 from your local Behringer dealer today!

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904B VOLTAGE CONTROLLED HIGH PASS FILTER   Legendary Analog High Pass VCF Module for Eurorack Product Features Vintage-sounding 904B High Pass VCF module from the '70s Authentic reproduction of the circuitry from the "Modular 55 & 35" Series Artist roster includes world's most famous pop, rock and jazz musicians Audio in and out connectors plus 3 CV inputs for control of frequency Frequency control and range switch allows full manual control of cutoff frequency Eurorack specs: 8 HP, 55 mA +12 V, 55 mA -12 V   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   904B VOLTAGE CONTROLLED HIGH PASS FILTER Enter the Behringer 904B VOTLAGE CONTROLLED HIGH PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Spice Up Your Tone The 904B VOLTAGE CONTROLLED HIGH PASS FILTER allows you to attenuate low frequencies and accentuate higher ones in a signal. With the Fixed Control Voltage knob, also known as a cutoff frequency, determines the frequencies attenuated below a certain point. Switch the Frequency Range between Low (4 Hz to 20 kHz) or High (10Hz to 50 kHz) to select what frequencies the Fixed Control Voltage affects. You can use the 904B to let you cut through a mix for some searing lead tones or pair it with the Behringer 904A VOLTAGE CONTRLLED LOW PASS FILTER and be prepared to hear some very interesting sounds.   Inputs and Output Audio in and out connectors are available on the 904B that let you process an incoming signal before sending it to another module via a 3.5 mm TS cable. You can also use the Control Inputs to connect voltage signals from other modules to affect the cutoff frequency. Use this module to add distinct tweaks to your patches so you can create more unique sounds.   Eurorack Ready Installing the 904B VOLTAGE CONTROLLED HIGH PASS FILTER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 904B VOLTAGE CONTROLLED HIGH PASS FILTER to be mixed with other synth modules for a truly unique set up.  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. ODYSSEY Analog Synthesizer with 37 Full-Size Keys, Dual VCOs, 3-Way Multi-Mode VCFs, 32-Step Sequencer, Arpeggiator, and Klark Teknik FX Product Features Authentic mono/duo-phonic synthesizer with 2 true analog oscillators for insanely fat sounds 37 semi-weighted full-size keys featuring velocity functionality Pure analog signal path based on legendary VCO, VCF, and VCA designs from the ?70s 2 voices with sawtooth, square/pulse with pulse-width modulation and sine/square wave LFO 3-way VCF modes: 2-pole MKI (4023), 4-pole MKII (4035), and 4-pole MKIII (4075) Easy-to-use 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects World-class Klark Teknik FX including reverb, chorus, flanger, delay, pitch shifter and multi-effects 35 sliders and 25 switches to give you direct and real-time access to all important parameters 3 pressure-sensitive buttons for pitch and modulation control provide total hands-on performance Powerful pink/white noise generator with sample & hold plus lag processor Comprehensive USB/Midi implementation for connection to keyboard/sequencers Designed and engineered in the U.K.   ODYSSEY An ultra-affordable homage to the legendary ARP* synthesizer of the ’70s and beyond with all the features of the original and then some including dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter, and multi-effects, the ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF, and VCA designs from the ’70s, the ODYSSEY is sure to become your favorite keyboard.!   True to the Original Great care has been taken in engineering the ODYSSEY, including the true to the original analog circuitry, legendary VCO, VCF, and VCA designs, all of which combine to make it easy to recreate the classic sound performance.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1970s are etched in the annals of progressive rock, disco, and synth-pop music forever, making them truly classic in every sense of the word. The ODYSSEY lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Versatile Oscillators ODYSSEY’s 2 voices are the product of dual analog Voltage Controlled Oscillators (VCOs), which each provide your choice of sawtooth, square/pulse with pulse-width modulation, or sine/square wave LFO for sculpting the perfect sound. This amazing flexibility gives you the tools needed to be your creative best.   Versatile VCF The very heart of ODYSSEY’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for Frequency; Resonance (0 to self-oscillation); and High Pass Filter (HPF) Cutoff Frequency. A feature missing from the original is a new 3-position switch, which lets you choose the VCF filter you prefer from all 3 iterations of the famous synth: 2-pole MKI (4023); 4-pole MKII (4035); and 4-pole MKIII (4075), plus a Drive switch to add a touch of edge to your sound. ODYSSEY features two easy-to-use Envelope Generators, AR (Attack and Release) and ADSR (Attack, Decay, Sustain and Release) with 2 and 4 faders, respectively to help you craft incredible sounds. Switches are provided for ADSR Gate/LFO Repeat, AR Gate/LFO Repeat, or thirdly, Keyboard Repeat/Auto-Repeat – which provides a wide range of performance options.   Onboard Sequencer & Arpeggiator ODYSSEY’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the ODYSSEY are fun, mesmerizing, and totally addictive...   Klark Teknik – The Reverb that Made History Behringer is proud to incorporate custom-engineered Klark Teknik effects into their products. Featuring a wide range of world-class presets to choose from including reverb, chorus, flanger, delay, pitch shifter, and multi-effects, Klark Teknik created the 24-bit, studio-grade effects engine for Behringer – to give your performance that truly professional finishing touch.   Controls & Connectivity For those who want the numbers, ODYSSEY has 35 sliders, 25 switches, and 3 pressure-sensitive buttons, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include MIDI In and Out over USB/MIDI DIN; Pedal; Portamento Footswitch; Low and High Outputs; External Audio In; CV In and Out; Gate In and Out, and Phones with a dedication Volume control.      

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MULTIMODE FILTER / RESONATOR MODULE 1047 Legendary 2500 Series 12dB State Variable Filter Module for Eurorack Product Features Classic-sounding 1047 analog multi-mode filter and resonator module from the '70s Authentic reproduction of the circuitry from the "2500" Series Consists of a highly resonant 12 dB state-variable filter capable of proving a wide variety of formant shaping and tonal modulation Filter simultaneously provides high-pass, band-pass, low-pass and notch outputs Coarse and fine controls adjust the cut-off frequency of the filter from 16 Hz to 16 kHz with 2 external control signal inputs and attenuators Resonance (Q) control adjusts the level of the resonant peak from 0 to 512 with an external control signal input and attenuator Keyboard percussion feature allows the filter to generate a wide range of percussive sounds A keyboard gate signal is connected to the external input with a keyboard CV connected to a frequency control input Striking a key will create percussive sounds when the Keyboard Percussion mode is activated When the keyboard is released the filter tone damps at a rate determined by Final Q Eurorack specs: 16 HP, XX mA +12 V, XX mA -12 V     MULTIMODE FILTER/RESONATOR MODULE 1047 This is the Behringer 2500 series MULTIMODE FILTER/RESONATOR MODULE 1047. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the MULTIMODE FILTER/RESONATOR MODULE 1047 in with your existing rig or start your modular synth journey from here. Either way you’re sure to have a lot of fun.   MULTIMODE FILTER RESONATOR The MULTIMODE FILTER/RESONATOR MODULE 1047 is a classic voltage-controlled 12 dB per octave state-variable filter, the filter is a matched transistor design for a vintage sound. The 1047 filter is equipped with coarse and fine filter frequency controls, a resonance (Q) control which acts on all 4 filter outputs, a resonance limit switch that prevents signal overload when high levels of resonance are used, the notch frequency/fc control allows the notch frequency to be adjusted up or down from fc as set by the frequency controls, 2 summed frequency CV attenuators and a resonance (Q) CV attenuator for maximum flexibility, the signal input is also equipped with an attenuator. All this gives you endless possibilities of filter curve shape to create the ultimate sound.   Ins and Outs The 1047 gives you comprehensive connectivity, filter signal input, FCV 1 and FCV 2 inputs can be used for filter frequency control or modulation, the Q CV input allows modulation of Q and resonance. The independent low-pass, high-pass, band-pass, and notch filter outputs are all available simultaneously to feed multiple filter signals to other modules.   Eurorack Ready Installing the MULTIMODE FILTER/RESONATOR MODULE 1047 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1047 to be mixed with other synth modules for a truly unique setup.   Complete Your Setup Whether you’re just getting into modular synths or looking to complete your collection, the MULTIMODE FILTER/RESONATOR MODULE 1047 from Behringer is a great tool to have when creating amazing music.    

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