Monitoring system

PM1   Personal In-Ear Monitor Belt-Pack Product Features In-ear monitor belt-pack for personal monitor applications
 High quality volume control
 XLR input with locking mechanism
 5 mm mini jack headphones connector
 Convenient belt-pack clip included
 "Built-like-a-tank", impact-resistant metal chassis
 Designed and engineered in Germany
   POWERPLAY PM1 Whether you’re a keyboardist, drummer, or any other musician whose performance keeps them anchored in one spot, the PM1 was designed specifically for you. A convenient hardwired personal in-ear control center, the PM1’s belt pack puts monitor control right at your fingertips, plus it’s lightweight, ultra-easy to use – and it doesn’t require a power source!   Volume Control The PM1 features an extremely high-quality volume control for dialing in the perfect level every time. Designed for long life and super-smooth performance, this detented control stays where you put it.   Locking XLR Input Because your monitor is crucial to your performance, PM1’s XLR input connector accepts standard mic cables and features a locking mechanism to prevent accidental disconnects. Just press the tab next to the bottom-mounted connector to release the cable at the end of the gig. It is important to note that PM1's XLR input is not designed to accept balanced line signals taken directly from your mixer, as an amplified source is required. For connecting a stereo source, such as your headphone amplifier or mixer's headphone output, you should use a TRS-to-XLR (male to male) cable.   3.5 mm Phones Jack You can use your favorite headphones, earbuds or custom-molded professional In-Ear Monitors (IEMs) with the PM1, thanks to the top-mounted, standard 3.5 mm (1⁄8") stereo output jack.   Handy Belt Clip When you do need to move around, say to change your amp or stomp settings, PM1’s built-in belt clip will always keep it close at hand. Just slip the PM1 onto your waistband or belt and let the good times roll!   Sound Value When it comes to wired monitor applications, you simply will not find a better or more affordable solution, than the amazing PM1 Personal In-Ear Monitor Belt-Pack. Built-like-a-tank, and featuring an impact-resistant metal chassis, the PM1 was made for the road and will give you many years of dependable, highest-quality performance.

Read more less

P1 Personal In-Ear Monitor Amplifier Product Features In-ear monitor amplifier for personal monitor applications High power and "drummer proof" headphones output Dual XLR inputs allow for 2-channel mono or stereo operation Switchable stereo/mono operation with mix function Level and Balance/Mix controls Runs up to 12 hours on a 9 V battery (not included) Battery control with dual LED indicators Operates on Behringer PSU-SB DC power supply (not included) Integrated current limit protects your ears and headphone Convenient belt-pack clip included Mounts easily on a standard mic stand with 5/8? and 3/8? thread "Built-like-a-tank", impact-resistant metal chassis Designed and engineered in Germany   POWERPLAY P1 The POWERPLAY P1 Personal In-Ear Monitor (IEM) Amplifier puts control where it’s most useful – right at the artist’s fingertips. Whether on stage or in the studio, the P1 provides performers and recording artists with a dependable and affordable personal monitoring solution.   Drummer-Proof Output The P1’s high-power headphone output ensures that as the band gets louder, you’ll still be able to hear every nuance of your performance. And the P1’s simple user interface makes it easy for everyone to dial in a perfect mix every time. Using the P1 also helps protect your hearing in two ways. First, thanks to a built-in current limiter, unexpected peaks in signal level won't get to your ears. Second, the simple act of wearing headphones or earbuds helps isolate your ears from the loud stage volume of instrument amps and monitor wedges. With the P1, you can clearly hear your own performance and blend in the ideal amount of the rest of the band.   The Perfect Monitor Mix Dual XLR inputs allow 2-channel, mono, or stereo operation with a convenient mix function which allows you to run two sources into the P1 and dial-in exactly what you want to hear as you perform. Two simple controls, Level and Balance, help you achieve the perfect mix in an instant. The P1 lets you take control of what you hear and allows the engineer to concentrate on providing the audience the best listening experience. Plus, setup is so fast and easy, letting you concentrate on putting on the best performance when you hit the stage.   Power to Last One little 9 V battery lasts up to 12 hours, so the P1 will go as long as your next show or studio recording session! Or, use the optional PSU-SB DC power supply for the ultimate in dependable power. And the P1's metal chassis is built like a tank to handle even your most-demanding and energetic performance. Small enough to hang on your belt – or mount on a mic or drum stand, the P1 puts complete balance and volume control in your hands.   More Power to You With rock-solid monitoring, your performance naturally will be at the top of your game. Get the power to hear what you want to hear – with the POWERPLAY P1. The whole band will thank you!   Watch Video... 

Read more less

MO240   Studio Monitoring Earphones with Dual Hybrid Drivers Product Features Professional studio-grade monitoring earphones
 Single dynamic and single balanced armature micro-drivers delivering full bass and detailed highs
 Ultra-linear frequency response from 20 Hz to 20 kHz
 Sound-isolating design blocks outside noise for detailed musical experience
 Secure over-the-ear cable design ensures in-ear stability and comfort
 Optimized performance with exceptional sound quality for use with a wide range of audio devices
 59 inch (150 cm) detachable cable with 360-degree rotating gold-plated MMCX lock-snap connector for flexibility and versatile connectivity options
 Zipper case included to enjoy your music on-the-go
 Includes foam and silicone ear-plugs in 3 sizes to ensure a perfect fit
   MO240 – Premium In-Ear Studio Monitors for Professionals Whether you’re mixing a recording or monitoring a bass line, you want earphones that deliver ultra-deep bass and super-transparent highs across an ultra-wide dynamic range. Our MO240 in-ear monitors feature to fulfill your needs to compose your own tunes in peace, doesn’t matter where you are – at a price that is very kind to every budget!   Dual-Hybrid Driver Technology True companion of musicians and composers – high-quality electromagnetically shielded wire isolates all vicinity noises present in an electronic gadget filled studio environment. Top-grade dual-hybrid micro-drivers deliver high-fidelity audio for instruments and vocals – Balanced armature driver tuned for extended high-frequency response while Neodymium dynamic driver for ultra-deep bass.   Comfort Fit Secure over-the-ear and ultra-light weight design of MO240 monitors allows you to keep them on for extended studio, chat, gaming sessions without any feel of weight over your head. 3 sets of ultra-soft earplugs provide perfect fitment for all ears with lasting comfort. Inline wire-slider provides extra help to keep your earphones secure and tangle-free.   Compatible with Behringer BT adapter* MO240 comes with a detachable cable with 360-degree rotating gold-plated MMCX lock-snap connector – provides versatile connectivity options for compatible MMCX adapters. You may purchase Behringer BT251-BK BT adapter for your wireless freedom.

Read more less

PWP-1 Personal in ear monitoring amplifier Description The POWERWORKS PWP-1 Personal In-Ear Monitor Amplifier puts control where it’s most useful – right at the performers fingertips. Whether on stage or in the studio, the PowerWorks PWP1 provides performers and recording artists with a dependable and affordable personal monitoring solution. Features In-ear monitor amplifier for personal monitor applications High power and “drummer proof” headphones output Dual XLR inputs allow for 2-channel mono or stereo operation Switchable stereo/mono operation with mix function Level and Balance/Mix controls Runs up to 12 hours on a 9 V battery (not included) Battery control with dual LED indicators Integrated current limit protects your ears and headphone Convenient belt-pack clip included Mounts easily on a standard mic stand with 5/8? and 3/8? thread “Built-like-a-tank”, impact-resistant metal chassis  

Read more less

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. Midas HUB4 Monitor System HubMonitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes, 48/44.1 kHz AES50 In and Through, Stage CONNECT and 16-Channel Analogue Out Product Features Personal monitoring system hub with PoE remote powering for up to 4 DP48 personal mixers and compatible stage boxes AES50 IN and THRU ports for cascading hubs or stage boxes with 48 bidirectional channels at 48/44.1 kHz 16 balanced analogue outputs for sending 4x2 personal stereo mixes to IEM transmitters in the side rack. Channel naming and Group assignments can be distributed from compatible M32 consoles. Midas DL8 Stage Boxes can be connected and powered from ports 1-4 Personal mix outputs can be monitored via AES50 upstream to connected consoles. Supports remote control forwarding of a DP48 personal mixer from another DP48. Front panel buttons for sending signals to analogue output groups 1-4, for StageCONNECT and for AES50-A upstream StageCONNECT output with phantom power for connecting other StageCONNECT devices, sharing 32-channel audio, 24-Bit uncompressed PCM, 44.1/48 kHz, at sub-millisecond latency, over any standard XLR microphone or DMX cable Remote operation via shielded CAT5e cable up to 260 ft / 80 m length recommended. Features Neutrik etherCON* AES50 network ports Rugged 1U chassis for durability in portable applications. Auto-ranging universal switch-mode power supply Designed and engineered in the U.K.   Personal Monitoring with DP48 Midas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit / 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.   Cascading Hubs for Large Setups To meet the challenges of large monitoring setups, HUB4 can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications.   On the other hand, HUB4 can also address situations where you want to connect additional I/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50-B (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4.   Analogue Outputs for IEM Transmitters HUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. So there is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.   Support from Midas M32 Series Consoles HUB4 can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units.   Midas DL8 PoE (Power over Ethernet) Powered Stage Boxes HUB4 easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 can directly power up to 4 stage boxes via PoE support – IEEE802.3at per port – allowing for shorter analogue lines on stage.   Remote Control Forwarding Through HUB4 HUB4 also facilitates one of the exceptional features of DP48 Personal Monitoring systems in which one DP48 unit can be designated as Master and used to control one or more DP48 units in Slave mode. HUB4 ensures that personal mixers are enumerated and that the Master, i.e., the DP48 connected to Port 1 of the first HUB4 in a daisy-chain, can control the respective Slaves. This way either a tech-savvy bandmate or the technician can help talents on stage with their personal monitor sound.   StageCONNECT – The Future of XLR HUB4 also features a designated StageCONNECT port on the rear panel, anticipating the future of XLR connectivity.   What if any standard XLR, microphone or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data or even MIDI at the same time? What if a connected StageCONNECT device could receive up to 18 W of power through that same cable?   Well, these capabilities are exactly what StageCONNECT delivers – a new interface standard to be released by Music Tribe after two years of development. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. The design we developed will be publicly available free of charge for anyone interested in designing their own audio equipment, compatible with the future of XLR – StageCONNECT.   EtherCON CAT5E-STP for AES50 Remote Connections Up to 100 m Length HUB4 uses rugged industry-standard EtherCon connectors to ensure stable operation in live production environments. For best performance, a good quality CAT5E STP cable, such as Klark Teknik NCAT5E-50, allows for remote operation up to 100 m distance.   Controls & Connectivity HUB4’s large backlit front panel buttons show when a device is connected to the corresponding AES50 port and indicate whether the upstream signals are being sent to the desired outputs.

Read more less