Musical Instruments

Marching Drum JWB-01 BL 26"X12" [JT01 BL]- This marching drum can be used for various occasions, - It is the biggest marching drum.- It can also be called a bass drumFeatures:-26" Marching drum heads white - Cross straps- Wooden made Drum BeatersSpecifications:-26x12" marching bass drum-Includes strap and mallets-Die-cast lugs What's in the box1 x 26" Marching Drum2 x Mallets1 x Packing Key (Drum Key)1 x Strap

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Active DI Box with Extended Dynamic Range Product Features   Active DI box with high-headroom design and +48 V phantom power for extended dynamic range Fully transformer-isolated design ensures electrical separation between PA and stage equipment Balanced line input on Neutrik* XLR and high impedance input and link output on 1/4" TRS connectors 20 dB input pad and earth lift switches Aluminium extrusion casing with protective rubber corners Compact and rugged design DN100 The DN100 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher-level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs. DN100 is built to handle the rigours of life on the road, a thick aluminium extrusion protects the electronics, and in turn is covered by a tough silicone rubber sleeve. Balanced Transformer-Isolated Output Exhaustive listening tests using a wide variety of active and passive bass guitars, electro-acoustic guitars and electronic musical instruments were carried out to select the components for DN100 to achieve the best musical sound. Not only was the choice of the audio transformer particularly important in achieving this goal, but the impedances of the surrounding components were also highly critical in getting the best possible performance out of the audio transformer. The line-driving characteristics of the transformer output were carefully optimised to provide the best frequency and phase responses for short and long cables and widely differing line and termination impedances. Care was taken in the design of the DN100 to avoid audio transformer core saturation and a fixed high pass filter has been included in the signal path to roll off frequencies below those that are musically important. The lowest note on a 5- or 6-string bass guitar is B0 with a frequency of 30.87 Hz, and the lowest note on an 88-key piano keyboard is A0 with a frequency of 27.50 Hz. DN100 still maintains a frequency response of ±0.5 dB at these lowest musical notes. As well as the transformer in the signal path, DN100 also has a transformer to isolate the power rails to the input circuit from the phantom power supply sourced from the output XLR connector. When used in conjunction with the Earth Lift switch, this full galvanic isolation of input and output interfaces ensures that any risk of earth loops is avoided when taking a direct feed from stage backline equipment. Dual-Impedance Inputs A custom instrumentation-grade input circuit was designed for the DN100 using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box. DN100 features one parallel-connected XLR and two ¼" TRS inputs, one which may also be used a link output for connection to a guitar or bass amplifier. When connecting to the XLR input only, the input impedance is 20 kΩ, ideal for line level equipment and offering even lower noise performance. This input impedance is far too low for guitar and bass pickups and is removed from the circuit when a jack plug is inserted into a ¼" TRS input, resulting in a nominal 1 MΩ input impedance, ideal for passive electric pickups. Illuminated 30dB Pad and Earth Lift Switches DN100 features illuminated Pad and Earth Lift switches, which along with the +48V phantom power indicator LED, provide ‘at a glance’ status display, even at wide distances and viewing angles. The Earth Lift switch separates the input and output grounds, useful in eliminating earth loops between equipment on different mains electricity supplies. Built for the Road Featuring a tough aluminium extrusion, the DN100 is designed for the rigours of live concert touring. The protective rubber corners also insulate the DN100 chassis to further enhance its electrical isolation. Premium Neutrik XLR connectors are used to ensure reliable audio connections, night after night.

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903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

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992 CONTROL VOLTAGES Legendary Analog CV Routing Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4-channel CV signal routing to 904A LPF module
 Single external input with inverting attenuator control
 3 switched and summed CV inputs for frequency control of VCF modules
 3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
 Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   992 CONTROL VOLTAGES Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Channels The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.   External Input and Attenuator An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.   Ins and Outs 3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.   Eurorack Ready Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music. Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!  

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CP3A-O OSCILLATOR CONTROLLER Legendary Analog Oscillator Controller Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 switches allows you to send CV to one or more oscillators
 External input jack with dedicated attenuator control
 3 switched and summed CV inputs for frequency control of VCO modules
 3 parallel CV outputs can drive multiple 921A/B oscillator modules
 Eurorack specs: 8 HP, 5 mA +12 V, 5 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP3A-O OSCILLATOR CONTROLLER Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the “Modular 55 and 35” series mixers used by the world’s most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.   Switch It Up The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.   Ins and Outs You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they’re connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.   Eurorack Ready Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP3A-O OSCILLATOR CONTROLLER module from Behringer is a great tool to have when creating amazing music.  

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Orphee 0.028 to 0.043 Classic Guitar Strings High quality nylon linewinding the sliver linestrong durabilityhigh glosssuitable for professional play

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923 FILTERS   Legendary Analog Dual Filter Module for Eurorack   Product Features   Vintage-sounding 923 dual filter module from the '70s
 Authentic reproduction of the circuitry from the "Modular 35 & 15" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Separate Lowpass and Highpass filters with dedicated frequency cutoff controls
 Each filter features independent audio inputs and outputs
 Additional noise source provides white and pink noise via independent dual outputs
 Eurorack specs: 8 HP, 35 mA +12 V, 45 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   923 FILTERS Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the “Modular 35 and 15” series filters used by the world’s most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.   Controls The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.   Have it Pink or White For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.   Eurorack Ready Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 923 FILTERS module from Behringer is a great tool to have when creating amazing music.

Get the 923 FILTERS from your local Behringer dealer today!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-8   Classic Analog Drum Machine with 16 Drum Sounds, 64 Step Sequencer, Wave Designer, and Dual-Mode Filter Product Features Amazing drum machine with authentic analog sound engine to create the classic sound performance
 16 original drum sounds with additional parameters and global Accent capability
 Modern and versatile workflow provides enhanced playability, enabling you to create captivating live performances
 Powerful 64-step drum sequencer supports poly-meter, step-repeat, note-repeat, real-time triggering, track-mute, and track-solo
 Integrated FX bus features Wave Designer and dual-mode Analog Filter with per voice assignment
 Live recording, editing, and playback of Analog Filter cutoff via automation
 Storage of up to 16 songs and 256 patterns, all of which can be imported/exported during playback for unlimited songs and patterns
 Pattern Mode allows the arrangement of patterns into full songs and set number of repeats per song part
 Song Mode allows chaining songs together for live sets and expanded compositions
 Unique Auto Scroll feature enables improvisation in all modes
 Comprehensive MIDI In/Out/Thru and USB implementation for synchronization and connection to external devices
 Sync options include USB, MIDI, Clock, and Internal for maximum versatility
 11 independent analog outputs for external processing or recording your rhythms as multi-track audio
 Powerful headphone and main outputs on 1/4" connectors
 High-visibility LED display makes it easy to verify program parameters
 Robust encoder for editing parameters such as Tempo, Swing, Probability, Flam, and Random
 16 vintage-style step buttons with bold LED indicators for easy pattern creation
   RD-8 The RHYTHM DESIGNER RD-8 provides all the tools you need to become a master beat-maker, including 16 drum sounds; a 64-step sequencer; Wave Designer, and dual-mode filter – for a full-fledged drum machine that'll shake the house! Whether you're new to drum programming or a seasoned pro looking to upgrade your setup, the RD-8 has everything you need to step up to the big time.   Masterpiece Rejuvenated Great care has been taken in designing the RD-8 to achieve new possibilities in beat creation by reviving a timeless analog design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-8 gives you the power to harness the phenomenal sound of the 808 and tap into some new features as well. Colossal bass drums through to sizzling hi-hats can be manipulated to elevate your rhythm performance to the next level.   Live Performance Beat Master Built to enhance the way you perform, the RD-8 boasts all-new features for live use in each of the sequencer modes including step repeat, note repeat, real-time triggering, and live step-overdubbing. This makes it easy to enable recording in pattern launch mode, so you can build song structures on-the-fly and switch back to manual mode at the touch of a button. Then you are free to add some excitement with the autofill feature and to introduce more variations. You can even cue up another song from memory without interrupting playback, allowing you to perform entire sets from start to finish – just using your RD-8!   Wave Designer & Dual-Mode Filter The integrated Wave Designer has individual attack and sustain controls that can be applied to individual voices to bring another dimension to your drum beats. This provides yet another way to control sounds to build virtually unlimited – and awesome new tones. Additionally, RD-8’s highly-flexible dual-mode 12 dB filter button toggles between LPF and HPF, allowing you to experiment with the cutoff frequency and resonance controls to create out-of-this-world beats.   Parameter Chaining RD-8’s robust encoder lets you set separate chain preferences for each of your parameters, allowing them to function globally or to switch on when a song or pattern changes. Parameters include tempo, swing, flam, probability, independent track mutes/solos, FX bus assignments, filter modes, and sweeps for enhanced real-time control.   USB Control To bring the RD-8 into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-8 to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-8 has 29 knobs, 5 switches and 59 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include: Phones; Mono audio; MIDI In, Out and Thru over USB and 5 pin MIDI ports; and 11 independent analog outputs for external processing or recording your rhythms as multitrack audio. With its 3 trigger outs, the RD-8 lets you control external synths and hardware sequencers to create songs without a digital audio workstation (DAW) in sight. The RD-8 can also send and receive clock information with highly-accurate timing to sync it to the outside world.  

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FTS-TJ003+TJ054/3M Description: . FTS guitar cable is low and high impedance.

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Responsive Crescendo Pedal with 2-Knob Interface for Haunting Guitar Line Manipulation Product Features Lets you create rolling and powerful volume swells. Instantly accessible 2-knob interface featuring sensitivity and attack. Controls attack time to create almost violin-like guitar lines. True bypass for ultimate signal integrity "Built-like-a-tank" metal chassis. Runs on 9 V battery or the PSU-SB DC power supply (not included) Designed and engineered in Denmark.   CRESCENDO AUTO SWELL Every once in a while, an effect arrives ahead of its own time, and before guitarists can figure out what do with it, it’s no longer available. As a result, and despite their high retail price, they become extremely valuable because of their rarity. CRESCENDO AUTO SWELL brings one of those iconic and rare effects back to life, and makes it readily available, affordable and built to withstand a lifetime of abuse.   A Rare Bird Just like the musical term, crescendo means to start at a low volume and then swell to a much louder level, which is similar the sound of a violin being bowed. Now you get those sweeping swells from your guitar, without searching high and low for hard-to-find vintage gear, and we’re talkin’ about a brand new, in the box CRESCENDO AUTO SWELL pedal that is backed by one of the most generous warranty programs. Try to get that at a garage sale!     Subtle and Simple Thanks to just 2 knobs (Sensitivity & Attack) and a true bypass switch, CRESCENDO AUTO SWELL is easy to use and functions much like a noise gate, only in reverse. Instead of clamping down on the tail of your signal, CRESCENDO AUTO SWELL mutes the initial attack and then swells up to full volume. Put simply, it removes the pick attack and blooms into a beautiful swelling note.     Roadworthy Housed in a sturdy metal enclosure, CRESCENDO AUTO SWELL was built to withstand years of daily abuse. The high-quality analog circuitry and true bypass switch respects your tone and keeps the signal nice and clean. So whether you’re creating pedal steel like chord tones, the sound of foghorns cutting through the fog, or the sweet swelling strains of a violin section – CRESCENDO AUTO SWELL was made just for you!

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TC Electronic Mojomojo Paul Gilbert Edition Overdrive Effects Pedal Special Modified MOJOMOJO OVERDRIVE Pedal, Designed in Collaboration with Paul Gilbert with Extra Gain Mod Switch, High Headroom and Precise Controls Product Features Special modified MOJOMOJO OVERDRIVE pedal designed in collaboration with Paul Gilbert Voice switch replaced with extra gain mod, this one goes to eleven! Increased circuit board voltage gives dramatically more headroom and dynamics for an incredibly alive overdrive sound 4-knob interface enables extensive tonal tweaking while remaining highly intuitive to let you focus on playing 2-band EQ with active bass and treble knobs lets you really shape your sound True bypass allows for optimum clarity and zero signal loss when the pedal is off Easy one-screw battery compartment access Compact format fits on any pedal board High-quality components to give you extraordinary overdrive tones Sturdy die-cast metal case designed for life on the road Tone Up with Paul Gilbert We’re very excited to have collaborated with the mighty Paul Gilbert on a specially modified edition of the MOJOMOJO OVERDRIVE pedal. If you’re looking for a huge overdrive sound, you better ally with Mr. Big himself to have the fundamental tone dialed in just right! Sporting a couple of tweaks to the circuit and a stylish new purple Jacket, MOJOMOJO PAUL GILBERT EDITION is like the perfect chicken tender, combining juicy and crunchy in the most delicious way possible! But This One Goes to Eleven Paul always uses his original MOJOMOJO pedal with the same voice setting, so we swapped out the Voice switch for a new 11 switch. Flipping the 11 switch engages a massive gain boost for even more drive and attack. And believe us, this one really does go to 11 in that totally meaningful and wildly rocking Spinal Tap-like fashion, giving you that last push over the cliff!  Warning! High Voltage Territory Ahead We added stepped-up circuit board voltage to the MOJOMOJO PAUL GILBERT EDITION, giving you dramatically increased headroom and dynamics for an incredibly alive and soaring overdrive, keeping your tone crisp – but not toasted! Walk This Way! Let’s take a quick walk around the controls of the MOJOMOJO PAUL GILBERT EDITION. On the ground floor, you find an extremely powerful active EQ to boost and shape treble and bass frequencies independently. And on the second floor, you get instant access to Drive and Level controls for fast and easy on-the-fly adjustments. Plug in. Tweak. Rock out! It’s as simple as that.  True Bypass The MOJOMOJO PAUL GILBERT EDITION comes fully loaded with true bypass circuitry to ensure you retain all of your instruments signal integrity, whenever the pedal is disengaged. Built for Rock - Like A Rock! If like Paul Gilbert, you spend most of your life playing guitar, you’ll want reassurance that if your creative juices should get interrupted (god forbid!), it’s not gonna be because of your pedals. MOJOMOJO PAUL GILBERT EDITION is constructed from high-quality components not only to give you extraordinary overdrive tones, but also to ensure you’ll keep on rocking for years and years. Two Ways to Power To power your new MOJOMOJO PAUL GILBERT EDITION you can use a 9V battery or the 9V DC power input. If you choose a battery, we’ve given you very easy, one-screw battery compartment access. We know that if you run out of power mid song, you need to be able to swap the battery before the guitar solo! So, you can open the pedal simply by using a coin (or a solid pick), ensuring that rock won’t have to wait long for you. 

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Tube-Like Overdrive with Extremely Responsive and Expressive Feel Product Features Transparent tube-like overdrive Extremely responsive and expressive feel Super wide gain range True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark   CINDERS OVERDRIVE CINDERS OVERDRIVE is the ideal tool for blues shredders and retro rockers. Its all-analog circuit convincingly recreates the warm harmonic distortion associated with a hard-driven tube amplifier. Is it responsive? You bet it is; whether you pick the strings with a dust broom or with a fire iron, CINDERS OVERDRIVE tracks perfectly to ignite your sound. And thanks to its super-wide gain range, your tone always remains incredibly transparent.   The Warm Sound of Tubes If you long for the roar of a maxed-out tube amp, you’re gonna love CINDERS OVERDRIVE. Even if you play late all night at bedroom levels, you always get that hard-rockin’ warm tube sound that drives your soul and your music.   No Such Thing as Too Transparent While some of our competitors’ overdrive pedals turn your rhythm playing into little more than indistinct clouds of mush, CINDERS OVERDRIVE always keeps your playing from getting lost in the mix. Carefully-engineered circuitry, designed by guitarists, cradles your playing in your desired level of overdrive, warmth and definition in a way that elevates your creativity – just like a real tube amp!   Classic Tone – Modern Features A sturdy metal chassis with dedicated Input, Output and True Bypass means that CINDERS OVERDRIVE is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter.   Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, CINDERS OVERDRIVE sports an easy-to-use control layout including: Drive, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the amount of high-end content in your signal.

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