Studio Sound Signal Processors

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MDX4600 V2   Reference-Class 4-Channel Expander/Gate/Compressor/Peak Limiter with Dynamic Enhancer and Low Contour Filter   Product Features Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
 IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
 Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
 IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
 Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression
 Stereo couple function selectable for channels 1/2 and 3/4
 Separate 8-segment LED meters for input/output levels and gain reduction
 Selectable operating level (+4 dBu/-10 dBV)
 Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 3-Year Warranty Program*
 Designed and engineered in Germany
   MULTICOM PRO-XL MDX4600 V2 The reference-class MDX4600 is a marvelous 4-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing out extremely-high signal peaks. Additionally, the MDX4600 features an integrated Dynamic Enhancer and Low-Contour filter to provide the ultimate in signal enrichment. Put simply, the MDX4600 can do amazing things for your vocals or instruments – providing virtually everything you need for studio-quality dynamics processing!   Audio Dynamics Toolkit Here are just a few of the MDX4600’s outstanding capabilities: 
 Switchable IKA (Interactive Knee Adaptation) – provides program-adaptive compression, combining all the advantages of both hard and soft-knee compression 
 IRC (Interactive Ratio Control) Expander/Gate – ideal solution for noise floor reduction vs. applying notch filters and various equalizers for virtually inaudible noise suppression 
 Enhancer – lets you emphasize the Bass, Midrange and Hi output at selectable frequencies for maximum punch, clarity and detail – without raising overall volume 
 IGC (Interactive Gain Control) Peak Limiter – combines clipper and program limiter for reliable, inaudible protection against signal peaks 
 Stereo Couple – links 1/2 and 3/4 channels, allowing dials and switches of Channels 1 and 3 to provide dynamics control over Channels 2 and 4, respectively (true stereo processing)   Options Abound The MDX4600 features amazingly-accurate, 8-segment LED meters for In/Out Level and Gain Reduction, switchable +4 dBu or -10 dBV operating level, Side Chain I/O, and servo-balanced XLR and 1/4" Inputs and Outputs. Best of all, the MULTICOM PRO-XL MDX4600 takes up just a single rackspace. 

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. MDX2600 V2 Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated De-Esser, Dynamic Enhancer and Tube Simulation Product Features  Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
 Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks
 IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
 Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
 IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
 Switchable Tube simulation for the extra warmth and transparency of classic tube circuitry
 Automatically or manually adjustable attack and release times
 Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression
 Stereo couple function with independent output level settings
 Switchable side chain input with monitor function
 Separate 12-segment LED meters for input/output levels and gain reduction
 Dedicated "traffic light" Threshold and De-esser level displays
 Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
 Relay-controlled hard bypass switch with auto bypass function in case of power failure
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 3-Year Warranty Program*
 Designed and engineered in Germany
   COMPOSER PRO-XL MDX2600 V2 The reference-class MDX2600 is a marvelous dual-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing out extremely-high signal peaks. Additionally, the MDX2600 features an integrated Dynamic Enhancer, De-Esser, Low-Contour filter and our revolutionary, switchable Tube simulation – for the extra warmth and transparency of classic tube circuitry. Put simply, the MDX2600 can do amazing things for your vocals or instruments – providing virtually everything you need for studio-quality dynamics processing!   Audio Dynamics Toolkit THere are just a few of the MDX2600’s outstanding capabilities: Switchable IKA (Interactive Knee Adaptation) – provides program-adaptive compression, combining all the advantages of both hard and soft-knee compression 
 IGC (Interactive Gain Control) – combines clipper and program limiter for reliable, inaudible protection against signal peaks 
 Enhancer – lets you emphasize the Bass, Midrange and Hi output at selectable frequencies for maximum punch, clarity and detail – without raising overall volume 
 Tube Simulation – provides the extra warmth and transparency of classic tube circuitry, creating a sound rich in harmonic content 
 De-Esser – “must-have” tool with switchable male/female voice recognition for reducing sibilance, while preserving natural voice timbre – often used to enhance upper-mid, to high-frequency smoothness in vocals, drum overheads, strings, etc. 
 Side Chain – allows insertion of graphic/parametric EQ to reduce specific frequencies – also often used to “tighten up” tracks using an internal or external signal to trigger compression, or gating of signal being processed (ex. using bass guitar signal to un-gate kick drum) 
 Stereo Couple – links both channels, allowing Channel 1 dials and switches to provide dynamics control over both channels (true stereo processing) Revolutionary Tube Simulation The secret behind the COMPOSER PRO-XL MDX2600’s incredible sound is our Tube Modeling processor, which exudes the very essence of tube and compression. This amazing circuitry accurately emulates the performance characteristics of highly sought-after classic tube compressors, creating a sound that is so rich in harmonic content – you’ll wonder where we hid the tubes!   Options Abound The MDX2600 features amazingly-accurate 12-segment LED meters for In/Out Level and Gain Reduction, switchable +4 dBu or -10 dBV operating level, Side Chain I/O, and servo-balanced XLR and 1/4" Inputs and Outputs. Best of all, the COMPOSER PRO-XL MDX2600 takes up just a single rackspace.  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. MIC2200   Audiophile Vacuum Tube Microphone/Line Preamplifier   Product Features Ultra-low noise discrete microphone/line preamplifier with hand-selected 12AX7 tube for ultra-musical sound
 Mic input stage based on discrete, conjugate transistor pair circuitry
 Ultra-wide bandwidth from 10 Hz to 200 kHz for open sound
 Integrated fully parametric EQs with dedicated center frequency, bandwidth and level controls
 Independent line driver for converting -10 dBV into +4 dBu pro level
 Soft-mute +48 V phantom power to avoid switch-on thumps
 Fully tunable and switchable 12 dB high-pass filter
 Switchable phase reverse for correcting phase-related problems
 Accurate 12-segment LED metering for output level
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
 3-Year Warranty Program*
 Designed and engineered in Germany
   ULTRAGAIN PRO MIC2200 Tubes can really warm up a signal fast, giving it increased depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. A true audiophile 2-channel Mic/Line preamplifier, the ULTRA GAIN PRO MIC2200’s hand selected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable and highly-affordable package. The onboard fully parametric EQs provide unparalleled tonal characteristics, allowing you to sculpt instrument and vocal sounds with the ultimate precision and musicality.   Put a Little Tube in Your Tone The MIC 2200 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube for superior tube character and low-noise operation. The MIC 2200 is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube-compression that will bring your digital tracks to life.   Ultimate Control Over Your Tone The incredible MIC2200’s controls consist of: switches for +48 V phantom power, Phase Reverse, Lo Cut, EQ Frequency Range and EQ In/Out; plus Mic Gain, Lo Cut Frequency Octave Bandwidth, Level and Output knobs. A 12-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC2200 delivers flawless performance and outstanding signal integrity. For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center Frequency, Bandwidth and Level per channel. Both channels also feature independent phase reverse switches for maximum versatility.  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. DEQ2496   Ultra-High Precision 24-Bit/96 kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor   Product Features Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
 Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
 Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
 Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
 State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
 Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
 64 user memories for complete setups and/or individual module configurations
             Separate mic/line input with phantom power for RTA and Auto-EQ applications
 Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
 Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
 Open architecture allowing future software updates via MIDI
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRACURVE PRO DEQ2496 The DEQ2496 is a high-precision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you’re putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.   Equalization. Dynamics. Feedback Correction. You can have it all with the DEQ2496. How about automatic FFT analysis with Auto EQ? We added that too. The DEQ2496 is a whole rack of ultra-flexible equalization options, dynamics and time-correction solutions, all designed to optimize your rig’s sound quality like no other single piece of processing gear. Consider the DEQ2496 your audio engineer’s Swiss Army Knife – here are a just few examples: Dual 31-band Graphic Equalizers (stereo linkable) Dual 31-band Virtual Paragraphic Equalizers (stereo linkable) Dual 10-band Parametric EQ’s per stereo side Dynamically-activated EQ Feedback Destroyer with Learning Mode Stereo Imager Compressor/Expander Limiter Digital Delay RTA/SPL/FFT Analyzer with Auto EQ function   Dual 31-band Graphic Equalizers, 31-band Virtual Para-graphic Equalizers and 10-band Parametric Naturally, the DEQ2496 has a phase-neutral digital graphic EQ. But in addition, we’ve added a function that allows you to change the frequency bandwidths from 1/3, to as tight as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we’ve included 10-bands of parametric filters that can be incrementally fine-tuned all the way down to 1/60 of an octave.   Dynamically-Activated EQ Dynamic EQ (DEQ) automatically raises or lowers a defined frequency range based on volume level. It’s literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with Attack, Release, Threshold and Ratio parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We’ve given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.   Feedback Destroyer with Learning Mode With the digital capabilities we’ve just listed, it’s easy to see why we were able to include a highly-effective Feedback Destroyer (FBQ) feature – it’s essentially a dynamically-activated parametric EQ that “watches” the whole frequency spectrum in 1∕60-octave bands and then instantly identifies and notches out feedback. FBQ can be run in AUTO mode, or in Single mode. We’ve also included a Learn mode that generates short audio pulses, raises their gain until feedback occurs, and then locks onto feedback-prone frequencies. For more than 20 years, we have made some of the world’s most acclaimed FBQ Feedback Elimination processors. Now you get this revolutionary FBQ Feedback Detection System in every DEQ2496, so your sound system is always completely free from feedback. Utilizing an ultra-fast detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. LEDs on the associated EQ frequency-band fader illuminates, showing you at a glance which fader to lower to overcome the feedback – it doesn’t get any easier than this!   Stereo Imager While usually considered a mastering technique, the ability to widen the stereo image can be useful in live sound work, too. The DEQ2496 Width processor provides control over Stereo Width (how clearly the two sides of the stereo image are separated from each other), Asymmetry (relative volume of left/right stereo signal), Rotation (panning of stereo + mono in the stereo image) and a multipart Shuffle function than can generate an additional low-frequency stereo width effect.   Compressor/Expander and Limiter The DEQ2496 has a comprehensive set of dynamics processing tools that can be used as two independent channels or stereo linked. Everything you’d find on a dedicated compressor/expander is here, including variable ratios from 1:1.1 - 1:100, Attack times of 0 - 200 ms, 0 - 3 dB variable knee and 20 ms - 4 s Release times, all adjustable via a coarse/fine adjustment scale. The built-in separate Limiter features Threshold, Hold and Release functions.   Digital Delay You can delay either the DEQ2496’s Main or Aux outputs from 0 - 300 ms, and process left and right channels independently – and not only can you specify the time delay in feet or meters, you can even instantly compensate for changes in the ambient temperature.   RTA/SPL/FFT Analyzer with Auto EQ function The DEQ2496 features an FFT real time analyzer for precise graphic display of 61 frequency bands. You can monitor main or digital inputs and outputs, Aux/Digital Out, or a feed from an RTA microphone and display the results in a multitude of ways including funky retro VU meters. You get all of the usual peak/hold, display rate and scale features you would expect from a professional measurement tool, plus our user-definable AEQ (Auto EQ function), which allows you to analyze and adjust your system’s frequency response automatically (perfect for “roughing out” initial room adjustments). In Graphic EQ mode, you can choose between Uncorrected response, which shows the mutual influence of adjacent bands, or select True response to apply a specially developed algorithm that displays the actual results of the equalizer setting.   Easy to Set Up and Use The DEQ2496 has balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and XLR and optical output. Configuration is intuitive, with on-screen block diagram displays and you get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, as well as preset dumps and system updates. You can maintain up to 64 comprehensive user presets at a time and of course dump and load as needed. You can also save and recall individual modules such as DEQ, PEQ, Width or Dyn. These subsets of complete presets let you maintain most of a preset’s settings but vary a few (such as graphic EQ) without having to generate a whole new preset.   Built Tough for the Road, Precise for the Studio The DEQ2496 features high-quality 24-bit/96 kHz A/D and D/A converters and two high-performance 32/40-bit floating-point digital signal processors for incredible sonic resolution and 113 dB dynamic range. The internal switch-mode power supply assures maximum flexibility (100-240 V~), noise-free audio, superior transient response, lowest possible power consumption and freedom from power surge damage.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. TC Helicon PLAY ACOUSTIC 3-Button Vocal and Acoustic Guitar Effects Stompbox with BodyRez and Looping Product Features 3-button stompbox combines studio quality vocals, pristine guitar sounds and creative looping Seven professional vocal effects and tone processing with intuitive control BodyRez filtering, on board EQ, and DI for impeccable acoustic guitar tone Guitar FX styles from TC Electronic HALL OF FAME REVERB, FLASHBACK DELAY and CORONA CHORUS pedals VLOOP performance looper with undo/redo and unlimited overdubs More than 200 song- and artist-inspired vocal pre-sets High-quality, low-noise mic preamp for pristine vocals USB for streaming audio, pre-set downloads and firmware updates. Compatible with remote Mic Control using the TC Helicon MP-75, MP-76 or Sennheiser* e835 FX microphones. Optional SWITCH-3 or SWITCH-6 foot switch for more performance control Power supply included. The Natural Companion Play Acoustic combines all the things you need to make a live acoustic performance shine: lavish vocal sounds, perfect backing harmonies, best-selling guitar effects, and unique processing that makes your six-string sing – in perfect harmony with your voice.   What Every Singer Wants Keep your vocals clean with a tight reverb or simple harmony – or go all out with tasty delays, thick doubling, edgy hardtuning, cool modulations, and raw distortions. The choice is yours with hundreds of presets from the most popular styles.   Acoustic Alchemy Play Acoustic treats your guitar with the respect it deserves. Tailor-made guitar FX from TC Electronic add a sweet touch of magic and our new BodyRez gives you a fuller, acoustic tone when you’re playing through a PA.   Vocal FX + Guitar FX in One Pedal Access your effects directly, choose the presets you want and find the styles you like. Easily browse hundreds of preset sounds. Add dazzling effects for the chorus, or strip it down for the verse, you decide! Dedicated inputs and outputs for your voice and guitar – plus inputs for headphones, auxiliary devices, an expansion pedal and USB for recording, updates and new presets.   What They Say “You can dial in a fantastic guitar sound, fill a room with amazing vocal effects and backing harmonies, and even loop musical phrases. This simple stomp box contains some serious technology in an easy-to-use platform.” The Vocal Sounds You Love Play Acoustic is loaded with vocal effects from our best-selling VoiceLive® series: reverb, doubling, HardTune, µMod, tap delay and transducer. Get inspired with incredible, natural sounding harmonies guided automatically by your guitar. There’s also Adaptive Tone for an optimally produced sound every time you sing.   Vocal FX Highlights > 100s of presets from the most popular styles > Adaptive Tone - your personal sound engineer > Easier than ever to create and personalize your sound. > Practice favorite tracks with Vocal Cancel > Even more control with our Mics and Footswitches   Delay Also known as Echo, delay repeats the input sound in various ways, from single “taps” to multiple panned asynchronous repeats. Often, delay is mistaken for reverb in a song. It’s typical in a recording to use a small amount of both delay and reverb to create the desired spatial effect. For more information on the technical aspects of reverb, see: Wikipedia Delay   Reverb Short for Reverberation, reverb simulates an acoustic space like a concert hall or a bathroom. Typically, slower songs use longer reverb and faster songs use shorter reverb. For more information on the technical aspects of reverb, see: Wikipedia Reverberation   HardTune Some people know it as the Cher or T-Pain effect. We call it HardTune. It’s a very aggressive form of pitch correction that forces the voice to “jump” from one note to the next in an almost robotic way. The effect works the best when confined to a set scale, where the intervals between notes are more noticeable. To get the most out of the effect, you’ll need to adapt your singing style to help accentuate the way that your voice shifts from note to note. Try sliding between notes.   Transducer Any effect that provides overdrive, distortion or filter falls under Transducer effects. You’ll find effects like Megaphone, Radio, Amplifier Emulation and more here. Always take care when using transducer effects in a live situation. Due to the extreme gains and eq’s imparted on the signal, these effects are very prone to   Natural Harmony You have a tireless two-singer backing group which sounds more realistic than ever with improved portamento and humanization on our already renowned harmony effects. And don’t worry about setting the key: Play Acoustic follows your guitar chords automatically for harmonies that stay in tune and in time.   What Every Singer Needs Equipped with our trademark Adaptive Tone, Play Acoustic acts as your personal sound engineer providing the one feature no singer should be without: automatic intelligent control of Compression, EQ, De-essing, and Gating, giving your voice impact and presence to always stand out in the mix.   Practice Favorite Tracks with Vocal Cancel Singing along is a great way to practice and perform. Plug in your MP3 player via the AUX In connector and use the Vocal Cancel feature to make your voice stand out over the vocals on the original track. You can also record and play back your singing using the USB connection to your computer and DAW. Guitar FX Highlights > Legendary TC Electronic Guitar FX – Hall of Fame Reverb, Flashback Delay & Corona Chorus > New: BodyRez restores acoustic tone to your amplified guitar > Guitar feedback-proofing with notch filter and phase controls > Separate vocal and guitar outputs, or a stereo mix of both > Extend Your FX Control with the optional Switch-3 pedal   Legendary Guitar FX from TC Electronic Play Acoustic comes preloaded with select FX to best suit your acoustic guitar – including TC Electronic's award-winning TonePrint pedals, Hall of Fame Reverb, Flashback Delay and Corona Chorus. The direct Guitar DI output ensures signal fidelity all the way from pedal to PA.       Specification Included Effects Vocal FX           µMod Delay Reverb Harmony Double Transducer Tone HardTune & Correctio Chorus BodyRez Guitar Anti-feedback   Guitar FX         Reverb Delay Chorus BodyRez Guitar Anti-feedback Tuner   Control           100+ Song & Artist Inspired Presets, Memory for 500 Simple Vocal & Guitar FX Editing via Direct Access Buttons Direct Access to Favorite, Genre, Mix and Setup Menus Preset Up/Down and HIT Footswitch Graphics LCD Display Bump-Protected Mic Level Dual-Colour Backlit Buttons   Design Size      Height: 1.8 inches (45 mm) Width: 7.9 inches (200 mm) Depth: 6.1 inches (156 mm)   Weight            Weight: 2.2 lb. (1 kg)   Construction  Dual die-cast clamshell design Acrylic Lens Punch-cut Metal connection panel Rubberized footings Backlit Graphic LCD Display   Connections Analog Inputs  Connectors: Mic.: balanced XLR, Guitar: unbalanced 1/4? TS, Aux: 1/8? stereo mini jack Impedance: Balanced/Unbalanced: Mic.: 2.14/1.07 kOhm EIN @ Max Mic Gain Rg = 150 Ohm : -127 dBu Mic SNR: > 104 dB Phantom Power: +48V (on/off via Setup menu) Guitar Input impedance: 1 MOhm Guitar Input Level @ 0 dBFS: 12 dBu Guitar Input SNR: > 115dB Aux Input Level @ 0dBu: +2dBu A to D Conversion: 24 bit, 128 x oversampling bitstream, 110dB SNR A-weighted   Analog Outputs           D to A Conversion: 24 bit, 128 x oversampling bitstream, 115dB SNR A-weighted Connectors, balanced: XLR Output Impedance Balanced/ Unbalanced: 80/40 Ohm XLR Output 0dBFS: +2 dBu Dynamic Range: > 109 dB, 20 Hz to 20 kHz Frequency Response: +0.30/-0 dB, 20 Hz to 20 kHz Headphone Out: 1/8? Mini stereo jack   Control           USB: USB-B (Preset Management, Firmware Updates and audio I/O) Pedal: 1/4? TRS phone jack Mic Control using TC Helicon MP-75 Microphone or Sennheiser e 835 FX mic.   Safety And Regulations Power  External Power Supply. Mains Voltage Input: 100 to 240 VAC, 50 to 60 Hz (auto-select) 12V DC 0.4A max output Power Consumption: < 14 W Environment  Operating Temperature: 32° F to 122° F (0° C to 50° C) Storage Temperature: -22° F to 167° F (-30° C to 70° C) Humidity: Max. 90 % non-condensing   What's in the box?            Region specific power supply USB cable User guide

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.TC Helicon VOICETONE E1 Single-Button Stompbox for Compelling Vocal Echo Effects Product Features Single-button stomp box gives you a range of stage-ready vocal echo effects in vintage to modern flavours. Timed repeats of your vocal add interest at just the right moment. 13 wicked delay styles, including classic slap echo. Tap tempo control to keep your echoes right on the beat. Simple 3-knob interface gets you up and running in seconds. High-quality, low-noise mic preamp for pristine vocals On/off foot switch for quick performance control Analog button for an optional filtered echo sound from the days of tape recording Allows chaining to other VOICETONE SINGLES vocal processors or DITTO MIC LOOPER to expand creative possibilities. Compatible with remote Mic Control using the TC Helicon MP-75 microphone. Rugged, road-worthy construction for years of dependable use Power supply included.   Enter the Echo Universe VOICETONE E1 offers singers the signature echo and slap back effects that evoke classic songs, while putting effects control at their feet. High quality, immersive echo effects for the stage are no longer just for guitarists.   Packed with Vintage to Modern Features Not only are there 13 different echo and delay types, but you can control the length of repeats, set the echo times to your song’s tempo, turn on the analogue button for a vintage feel – or jump into the future with special effects to dramatically twist your tune.   It’s Just this Simple... Plug in your mic, plug your pedal into the mixer & set the gain     •    Turn on the effect     •    (That’s it) Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire! Chain It You can chain VOICETONE E1 to all of the other VOICETONE singles, mixing and matching effects to define your personal sound. It also works with DITTO MIC LOOPER, the pure looping pedal for singers and instrumentalists. Use the Singles Connect Kit (available separately) to mix and match up to 4 TC HELICON vocal effect pedals together conveniently, simply – and with less cable clutter than ever before.   Under The Hood Beneath VOICETONE E1’s sturdy, die-cast metal case, you’ll be getting the same quality processing you’ve come to expect from our flagship Voice Live® vocal processors. You’ll also find a clean, quiet mic preamp that rivals high-end touring mixers, plus studio-quality analogue to digital conversion. There’s even a USB connection for firmware updates.   Signature Echoes & Slap backs 13 wicked delay styles including slap back/flutter echoes, non-tempo matched echoes, timed echo styles and special FX echoes 2. Control the length of your repeats and precisely control echo level 3. Analog button for softer echo sound from the days of tape recording 4. Footswitch tapping matches echo repeats to your song’s tempo. More Mic, More Control You can completely control VOICETONE E1 from your mic – simply plug in a TC HELICON MP-75 microphone or Sennheiser e835 FX (both sold separately). We call it Mic Control™, and it allows you to command both the stage – and the audience!   Specification Design Size      Height: 5.4 inches (140 mm) Width: 3.5 inches (90 mm) Depth: 2.3 inches (60 mm)   Weight Weight: 0.92 lb. (0.42 kg)   Construction    Two-part dies cast metal Rubberized base   Connections Analog Inputs  Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB Phantom Power: 24V (always on)   Analog Outputs           Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz   Control         USB for firmware and control Mic Control using TC Helicon MP-75   Safety And Regulations Power  Power Supply (Supplied): 12V / 400mA Power Consumption: 5.6W   Environment           Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing   What's in the box?            Region specific power supply USB cable User guide

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.TC Helicon VOICETONE D1 Single-Button Stomp box for Realistic Vocal Doubling Effects Product Features Single button stomp box gives you thicker vocals through a variety of realistic doubling effects. 8 useful doubling styles ranging from tight to group and octave up/down add dimension to your performance. Simple 2-knob control gets you up and running in seconds. High-quality, low-noise mic preamp for pristine vocals On/off foot switch for quick performance control Allows chaining to other VOICETONE SINGLES vocal processors or DITTO MIC LOOPER to expand creative possibilities. Compatible with remote Mic Control using the TC Helicon MP-75 microphone. Rugged, road-worthy construction for years of dependable use Power supply included.   Studio Sounds Hit the Stage The overdubbing of unison vocals is a classic studio technique to create a fuller sound. Now, you can take this technology to the stage with distinct styles you can mix to perfectly suit your song. VOICETONE D1 thickens your live sound with realistic doubling emulations, octaves and detune effects in one easy-to-use pedal.   It’s Just this Simple... Plug in your mic, plug your pedal into the mixer & set the gain     •    Turn on the effect     •    (That’s it) Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!   Chain It You can chain VOICETONE D1 to all of the other VOICETONE singles, mixing and matching effects to define your personal sound. It also works with DITTO MIC LOOPER, the pure looping pedal for singers and instrumentalists. Use the Singles Connect Kit (available separately) to mix and match up to 4 TC HELICON vocal effect pedals together conveniently, simply – and with less cable clutter than ever before.   Under The Hood Beneath VOICETONE D1’s sturdy, die-cast metal case, you’ll be getting the same quality processing you’ve come to expect from our flagship Voice Live® vocal processors. You’ll also find a clean, quiet mic preamp that rivals high-end touring mixers, plus studio-quality analogue to digital conversion. There’s even a USB connection for firmware updates.   Double You. Double Strength. 8 Doubling Styles: Tight; Loose; Group; Detune; Thick; Octave Up; Octave Down, and Shout Adjustable mix knob for precise control of doubling level Recessed Mic Gain prevents accidental bumps on stage Dedicated on-off footswitch. D1 Also comes with USB connection for updates   More Mic, More Control You can completely control VOICETONE D1 from your mic – simply plug in a TC HELICON MP-75 microphone or Sennheiser e835 FX (both sold separately). We call it Mic Control™, and it allows you to command both the stage – and the audience!   Specification Design Size      Height: 5.4 inches (140 mm) Width: 3.5 inches (90 mm) Depth: 2.3 inches (60 mm)   Weight Weight: 0.92 lb. (0.42 kg)   Construction    Two-part dies cast metal Rubberized base   Connections Analog Inputs  Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB Phantom Power: 24V (always on) Guitar Input impedance: 1 MOhm Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu Guitar Input SNR: >115dB Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz   Analog Outputs     Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz   Control         USB for firmware and control Mic Control using TC Helicon MP-75   Safety And Regulations Power  Power Supply (Supplied): 12V .4A Power Consumption: 5.6W Environment           Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing What's in the box?            Region specific power supply USB cable User guide  

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