Instruments

UC200   Ultimate Stereo Chorus Effects Pedal   Product Features  Get super-thick chorus with unbelievable stereo effect
 This Behringer product has been designed to compete head to head with leading products on the market
 Dedicated Level, Tone, Rate and Depth controls for awesome sound shaping
 Status LED for effect on/off and battery check
 Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
 First-class electronic On/Off switch for highest signal integrity in bypass mode
 Designed and engineered in Germany
   ULTRA CHORUS UC200 The ULTRA CHORUS UC200 pedal enhances your guitar’s tone by making it sound super-thick, plus adds an unbelievably rich stereo effect. Dedicated Depth, Rate and Level controls are provided for ultimate sound shaping.   Cultured Chorus When your music calls for something more in the realm of extraordinary, plug into the ULTRA CHORUS UC200 and compose your own Ode to Cool. Chorus pedals are excellent for fattening up a mix, creating the illusion there’s several more of you than there really are!   Take Your Tone to the Next Level Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM’s digital, license-free 2.4 GHz frequency spectrum.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer TD-3-BK-SAA Analog Bass Line Synthesizer Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selectio TD-3-BK Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BK lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BK is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-BK, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right out-of-the Box! Your TD-3-BK comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-BK’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-BK’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-BK’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-BK has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-BK’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-BK gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-BK! Visit your dealer to experience the stunning TD-3-BK or get yours online today. Music never felt this good!

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Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology Product Features Outstanding vibrato pedal offers you exceptionally musical tone enhancement with 2 types of vibrato Add classic true pitch vibrato to your tone or use the press-and-hold latch mode to easily apply vibrato precisely where you need it Simple 4-knob controls, including a rise-time dial, let you quickly dial-in a wide range of precise effects to expand your creativity TonePrint-enabled to let you beam cool signature tones into your pedal with the free TonePrint App Design your own customized vibrato effects from scratch with free TonePrint Editor for PC, Mac* and iPad* True bypass allows for optimum clarity and zero high-end loss when the pedal is off Optional buffered bypass mode prevents high frequency loss from long cable runs Kill-Dry feature removes the dry signal path for use with parallel effects loops Easy one-screw battery compartment access Compact format fits on any pedal board High-quality components to give you musical, tone-defining richness in a pedal format Sturdy die-cast metal case designed for life on the road Designed and engineered in Denmark   Vibrato Virtuoso Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!  2 vibrato types Great controls, including ‘Rise-Time’ Latch-mode   Pick Your Shake Flavor SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.   Expand Your Creativity Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.   From Dippin’ Toes to All-In SHAKER VIBRATO allows you to decide whether you want to use it as an ‘on/off’ effect, or as a more subtle effect where it is active when you press down and cuts out as soon as you release. Both have a wide range of applications, so we advise you to experiment.   True to Tone You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

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Acclaimed Reverb Pedal Expanded with 4 MASH Switches, Shimmer Reverb and 8 Reverb Presets Product Features Famous reverb pedal with 4 pressure-sensitive footswitches for complete control of ambience 4 MASH footswitches let you toggle between reverb sounds instantly New Shimmer reverb uses SUB 'N' UP OCTAVER algorithm for other-worldly sounds Preset bank switch lets you easily access up to 8 stored reverb presets 10 quality reverb types plus 6 TonePrint slots that let you store effects and artist TonePrints Pre-delay knob for fine tuning reverb response time provides total reverb control MASH footswitches give you powerful effect-specific real-time parameter control Craft reverbs and assign MASH functionality with free TonePrint App (PC, Mac*, iPhone*, Android* and iPad*) Works flawlessly with both guitar and FX loop level signals Expression pedal and MIDI inputs let you control parameters and switch presets remotely Mono and Stereo inputs and outputs give optimal versatility Analog-Dry-Through maintains integrity of analog dry signal path even when reverb is on Designed and engineered in Denmark   HALL OF FAME 2 X4 REVERB How do you get too much reverb? Trick question – kinda like, how much bacon is too much? There’s never too much! With a wealth of studio-quality algorithms on tap and 4 preset buttons that double as MASH expression switches, HALL OF FAME 2 X4 REVERB is the ultimate ambience powerhouse.   Expand Your Notion of Reverb From tiny tiled bathroom stall reflections and earthy, cavernous reverberations to gargantuan, atmospheric ambience, HALL OF FAME 2 X4 REVERB has them all and more. With 10 unique, professional-grade reverb presets including TC’s legendary Hall algorithm and our otherworldly Shimmer algorithm that utilizes our proprietary polyphonic octave algorithm from SUB ‘N’ UP, there’s something for every situation.   4 Times the MASHing Power With a quartet of our award-winning MASH switches onboard, HALL OF FAME 2 X4 REVERB sets the standard for expressive reverb effects. Aside from toggling between 4 different verb tones, each MASH switch can handle up to 3 effect parameters, reacting to how hard you press the switch with your foot.   Your Private Vault at the Reverb Bank It’s well and good to have 4 preset footswitches at your disposal, but If you’re really getting into some seriously reverb-laden music, you might as well go all in and double up the stakes. HALL OF FAME 2 X4 REVERB’s two preset banks let you step on a brand new set of verbs, totaling 8 different easily-accessible presets. That should be enough to get you through the first half of your set...   True to Tone You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it’s pure analog glory due to an Analog-Dry-Through.

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Shimmering Reverb Pedal with Intuitive 4-Knob Interface for Modern, Ethereal Reverb Sounds Product Features Shimmering, super-bright reverb pedal sends you straight to shoegaze heaven. Effortlessly create celestial reverb sounds. Intuitive 4-knob interface including dedicated shimmer knob. True bypass for ultimate signal integrity. "Built-like-a-tank" metal chassis. Runs on 9 V battery or PSU-SB DC power supply (not included). Designed and engineered in Denmark.   FLUORESCENCE SHIMMER REVERB FLUORESCENCE SHIMMER REVERB is one of those affects you simply must add to your bag of tricks. Originally pioneered by recording legends Daniel Lanois and Brian Eno, shimmer reverb is produced by layering a tail of reverb (pitched up an octave) on top of the original dry signal. This produces lush soundscapes that take on a life of their known, ranging from voluptuous chimes to interstellar travel-like sounds that will evoke memories of Carl Sagan’s Cosmos while you are playing.   A String Section in Your Gig Bag Used extensively by U2's The Edge, the shimmer effect has been adopted by scores of shoegaze guitar players for conjuring up huge, vibrant soundscapes, bursting with sparkling clarity. Ever since U2 started working with producers Eno and Lanois, shimmer has found its way on to classic performances like With or Without You, 4th of July, and City of Blinding Lights. Wherever there's a need for grandiose string sections of ethereal presence to add body and scope to a passage, FLUORESCENCE fits the bill.   Truly Roadworthy FLUORESCENCE SHIMMER REVERB is built to withstand the rigors of the road with a sturdy metal frame and high quality components. True bypass circuitry keeps the integrity of your signal free from any tonal coloration, while top-mounted jacks make it easy to fit on any pedal board.   Control Simplified With only 4 controls to master, FLUORESCENCE SHIMMER REVERB makes it easy to fine-tune your ethereal resonances in great depth. A Reverb knob adjusts the amount of tail on your dry signal for short or long resonances. The Mix knob lets you adjust the balance between the reverb tail and your guitar sound, while the Tone knob sets the amount of sparkle that’s added to the reverb. Lastly, the Shimmer knob rolls in the perfect amount of sparkling, angelic octave tones to round out its thick and ethereal ambience.

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Classic Tube Overdrive Pedal with Intuitive 3-Knob Interface for Essential Blues Rock Tones Product Features Vintage and authentic sounding overdrive pedal Shape the scream of your tube drive with the 3-knob interface. Classic blues rock tones that conjure up the great masters of the genre True bypass for ultimate signal integrity "Built-like-a-tank" metal chassis. Runs on 9 V battery or the PSU-SB DC power supply (not included) Designed and engineered in Denmark.   EL CAMBO OVERDRIVE As far as versatile and ubiquitous effects go, an overdrive emulating a pushed tube amp is as good as it gets. EL CAMBO fattens up your tone with a little (or a lot) of extra girth around the waist, providing that highly sought-after midrange “oomph” that cuts through the mix, especially when your band is pushing hard decibels. This gritty honk gives your guitar a powerful voice that is ideal for a singing blues solo, and it’s also perfect for a hard rockin’ lead boost over the top of your amp’s already overdriven sound. Crank it up and testify! Vintage all-analog overdrive     •    True Bypass     •    Built like a tank    A Mountain of Mids EL CAMBO OVERDRIVE delivers a distinct midrange boost, one that can instantly warm up your tone, even if it’s a bit too jangly to cut through a loud rhythm section. Thanks to its symmetrical clipping overdrive circuit, the harmonic saturation is amazingly fluid and musical sounding.   Boost into Epic Solo-Mode With plenty of gain and boost on tap, EL CAMBO can be tailored to work in almost any setting. From adding just, a bit of push to your preamp with subtle warmth to your tone, to a screaming overdrive with singing sustain and thickness, EL CAMBO gets you there. Whether the moment calls for blistering Texas-style blues, soulful pop ballads or classic rock riffs – EL CAMBO fits the bill!     Roadworthy Made from a sturdy metal housing, this all-analog overdrive will last for years and years without losing that warm tube saturation tone. EL CAMBO’s top-mounted jacks help save pedal board space and corral your cables, while the true bypass operation keeps your signal nice and clean.

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TC Electronic Tailspin Vibrato Effects PedalClassic True Pitch Vibrato with All-Analog Bucket-Brigade Design Product Features Classic true pitch vibrato Legendary, all-analog bucket-brigade (BBD) circuit Classic 80's inspired vibrato circuit True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark TAILSPIN VIBRATO TAILSPIN VIBRATO delivers a truckload of stunningly-vintage vibrato tones in a stompbox that’s so affordable – it’ll make your head spin! Featuring an all-analog, bucket-brigade design, TAILSPIN VIBRATO provides everything from subtle wobbles, to pitch-bendy, warped-vinyl tones – and all the way up to ultra-smooth, fast or slow whirling-speaker organ sounds. Vast World of Vibrato Nothing beats the organically-warm warble of classic true-pitch vibrato. You can use it at slow speeds to bring life and depth to slow chord progressions, or wind it up a bit for a super-wet surfin’ safari. Want to raise the roof? Max it out and watch as your audience searches in vain for the nonexistent B3 organ! Feel the Mojo TAILSPIN VIBRATO gets its 100% vintage vibrato mojo from its old-school analog bucket-brigade design. This means that wherever you set the dials, you’ll always conjure up a vibrato tone that is natural sounding and usable across the entire musical spectrum. Classic Tone – Modern Features A sturdy metal chassis with dedicated Input, Output and True Bypass means that TAILSPIN VIBRATO is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Backstage Pass – All Access Capable of a wide range of vintage vibrato tones, TAILSPIN VIBRATO sports an easy-to-use control layout including: Rate, which controls the vibrato speed; and Depth, which sets the effect’s intensity. Nothing is easier!

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GRAND MAGUS DISTORTION   Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag Product Features Organic tube-like distortion Tight bottom-end and natural tube sag Rich mids with smooth and creamy highs True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark   GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana!   Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver.   50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION.   Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms!   Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6 Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer, and Distortion Effect Product Features Amazing Drum Machine with true analog circuitry for classic sound performance Authentic reproduction of original circuitry with matched transistors 8 original drum sounds with mix parameters and global accent capability Highly acclaimed and authentic clap sound from the DR-110 drum machine 6 independent analog outputs for external processing or recording your rhythms as multi-track audio Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns Patterns can be chained into full songs with up to 250 bars. Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 16 authentic-style step buttons with LED indicators for easy pattern creation 11 controls and 26 switches to give you direct and real-time access to all important parameters MIDI and USB implementation for synchronization and connection to external devices Sync options include USB, MIDI, Clock, and Internal for maximum versatility   RD-6 The RHYTHM DESIGNER RD-6 provides all the tools you need to become a master beat-maker, including 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-BB has everything you need to step up to the big leagues   Masterpiece Rejuvenated Great care has been taken in designing the RD-6 to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-6 gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster!   Complete Control Built to enhance the way you perform, the RD-6 boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6 also comes with a distortion based on the venerable DS-1. Add spice and a bit of edge to your tone by flipping the Distortion switch on and adjusting the amount and tone of the distortion. Each pattern you create can also be chained into a whole song up to 256 bars which adds up to eight and a half minutes of beats perfect for those spicy jams where you just can’t stop.   USB Control To bring the RD-6 into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-6 to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-6 has 11 knobs and 26 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include Open or Closed Hi-Hat, Clap, Cymbal, Low and Hi Tom, Snare and Bass Drum Voice Outs; Start/Stop for connecting a foot pedal; MIDI In, Out and Thru over USB for connecting the RD-6-BB to a DAW and 5 pin MIDI ports.    Introducing New Colours...

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-SR  Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects  Product Features  Amazing Drum Machine with true analog circuitry for classic sound performance  Authentic reproduction of original circuitry with matched transistors  8 original drum sounds with mixed parameters and global accent capability  Highly acclaimed and authentic clap sound from the DR-110 drum machine  6 independent analog outputs for external processing or recording your rhythms as multi-track audio  Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns  Patterns can be chained into full songs with up to 250 bars  Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds  16 authentic-style step buttons with LED indicators for easy pattern creation  11 controls and 26 switches to give you direct and real-time access to all important parameters  MIDI and USB implementation for synchronization and connection to external devices  Sync options include USB, MIDI, Clock, and Internal for maximum versatility    RD-6-SR  The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.    Masterpiece Rejuvenated  Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.     Complete Control  Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion.    Oberheim DMX  Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”. The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs.  The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern.    E-mu SP-1200  Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution. This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk.    AKAI MPC60  The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”. The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

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903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

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CP35 ATTENUATORS   Legendary Analog Attenuator and Multiples Module for Eurorack   Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 passive attenuators with linked inputs
 Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
 Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
 Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP35 ATTENUATORS Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Attenuators The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.   More Than Just Outputs Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!   Eurorack Ready Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.  

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