Synthesizers

22 products


  • Last stock! Behringer Deepmind 6 6-Voice Polyphonic Synthesizer.

    Behringer Deepmind 6 6-Voice Polyphonic Synthesizer

    Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 6 True Analog 6-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, and Tablet Remote Control Product Features Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms, including Reverb, Chorus, Flanger, Phaser, Delay, and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations, including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with a powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection 1024 user program memories with compare-and-match feature to quickly match all analog controls to values stored in the program Fully servo-balanced stereo outputs for the highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. DEEPMIND 6 With the creation of DEEPMIND 6, the ultimate true analog, a 6-voice polyphonic synthesizer, is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix, and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.   Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that might make you a legend in your own right.   The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best-sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and loves in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) BEHRINGER’s GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*)   FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect.   Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability.   Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects.   3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for.   8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy.   32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.   Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.   Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves.   Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products.   Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.   Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best.   Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.   Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.   Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys.   True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.   High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.   You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.   Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer.   Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.   Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.  

    R 16,000.00

  • Last stock! Behringer TD-3-BK Analog Bass Line Synthesizer (Black),fastrak-sa.

    Behringer TD-3 BK Analog Bass Line Synthesizer (Black)

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer TD-3-BK-SAA Analog Bass Line Synthesizer Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selectio TD-3-BK Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BK lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BK is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-BK, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right out-of-the Box! Your TD-3-BK comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-BK’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-BK’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-BK’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-BK has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-BK’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-BK gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-BK! Visit your dealer to experience the stunning TD-3-BK or get yours online today. Music never felt this good!

    R 3,500.00

  • Last stock! Behringer CAT Duophonic Analog Synthesizer.

    Behringer CAT Duophonic Analog Synthesizer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer CAT-SAA Legendary Duophonic Analog Synthesizer CAT Legendary Duophonic Analog Synthesizer with Dual VCOs, 4 Mixable Waveforms, External Signal Processor, 16-Voice Poly Chain, and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for insanely fat music creation Authentic reproduction of original "CAT SRM II" circuitry with matched transistors and JFETs Pure analog signal path based on authentic VCO, VCF and VCA designs 4 variable and simultaneous oscillator shapes (Sawtooth, Triangle, modulated Pulse and Sub-Octave Square) for ultimate sounds Duophonic/Paraphonic mode allows both oscillators to be independently controlled Oscillators can be modulated from 6 different sources with 2 modulation depth attenuators Classic filter design (low pass with peak/resonance) with self-resonance capability Filter can be modulated from 6 different sources with 2 modulation depth attenuators Dedicated and fully analog sine/square wave LFO 2 analog Envelope Generators for modulation of VCF and VCA White noise generator dramatically expands waveform generation 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution main module can be transferred to a standard Eurorack case 47 controls give you direct and real-time access to all important parameters Audio input for processing external sound sources for enhanced creativity External control inputs and outputs (High Note CV, Low Note CV, Gate, Filter etc.) Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection   CAT The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.   In 1975, a new synth strolled into town. The Cat as it was called was an analog, duophonic, three octave synthesizer that was very similar to the ARP Odyssey. Its keyboard would produce two control voltages that were routed into its two VCOs. An ultra-affordable and even more feature-packed homage to that iconic synthesizer comes in the form of the Behringer CAT. Conjure up the virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF and VCA designs in conjunction with 4 variable and simultaneous oscillator shapes and Duophonic/Paraphonic capabilities. Owning a CAT is like having your own personal time machine, enabling you to freely embrace the past – or shape the future. And the best of all, it doesn’t scratch.   True to the Original Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – and all the way to full on dreamy ambience from the far reaches of your imagination.   Big, Fat Tones The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The CAT lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!   Keyboard Control The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.   Two VCOs are Better The very heart of the CAT’s sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.   Make Waves Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.   Slide In Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.   VCF As if combining two VCOs wasn’t amazing enough, the CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.   The Envelope, Please… To give the signal even more character, you can use the CAT’s Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.   The Ins and Outs The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, the CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, the CAT gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer CAT!   Visit your dealer to experience the stunning CAT or get yours online today. Music never felt this good! A Brief History of Analog Synthesis The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”.   Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”.   Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built.   Mellotron Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007   Arp 2600 Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499   Minimoog Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Attribute author: glacial23 - Early Minimoog Uploaded by clusternote, CC BY-SA 2.0   Yamaha CS-80 In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song   Sequential Circuits Prophet 5 Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. Image attribution: original uploader was Felix2036 at Dutch Wikipedia derivative work: Clusternote (Sequential_Circuits_Prophet_5.jpg) [Public domain], via Wikimedia Commons Which brings us to 1977... A Passion for Keyboards Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends – the Behringer legacy had begun. The rest, as they say, is history...

    R 7,000.00

  • Behringer Wasp Hybrid Synthesizer.

    Behringer Wasp Hybrid Synthesizer

    WASP DELUXE Legendary Hybrid Synthesizer with Dual OSCs, Multi-Mode VCF, 16-Voice Poly Chain and Eurorack Format Product Features Legendary hybrid synthesizer with dual digital OSC design allows for insanely fat music creation Authentic reproduction of original "Wasp Deluxe" circuitry Pure analogue signal path based on authentic VCF and VCA designs 3 variable oscillator shapes with pulse / ramp and enhanced mode for ultimate sounds Multi-mode VCF with Lo, Hi, Band and Notch modes Flexible LFO with 6 waveform shapes including noise and S&H with frequency and pitch modulation control 2 analogue Envelope Generators for modulation of VCF and VCA Noise generator dramatically expands waveform generation 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Euro rack solution main module can be transferred to a standard Euro rack case 29 controls give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection Designed and engineered in the U.K.   WASP DELUXE The 1970s spawned the first truly portable analogue synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Correa, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.   In 1978 a unique and quirky little synthesizer was born. The Wasp, as it was called, was a monophonic, two-octave keyboard that used touch-sensitive keys. It was a novel idea back then but tended to be unreliable and difficult to play. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer WASP DELUXE lets you conjure up virtually any sound imaginable with incredible finesse and ease. Pure analogue signal path based on authentic VCF and VCA designs in conjunction with a flexible 6-shape waveform LFO including noise and S&H with frequency and pitch modulation control. Having your very own WASP DELUXE is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!   True to the Original Great care has been taken in designing the WASP DELUXE including the true to the original “Wasp Deluxe” circuitry. This is what gives it its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects – and all the way out to the otherworldly sounds of your imagination.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1970s and ‘80s are etched in the annals of progressive rock, wave and synth-pop music forever, making them truly classic in every sense of the word. WASP DELUXE’s pure analogue signal path based on authentic VCF and VCA designs, lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Variable Oscillators More than just being true to the original, we just had to add more features. Each of the two oscillators comes with three variable waveforms: sawtooth, square wave and an enhanced mode which adds punch and some clarity to the oscillator’s tone. Both oscillators can be adjusted across a wide 5-octave range (32’, 16’ 8’, 4’ and 2’). Oscillator 1’s wave shape can be adjusted via the Width knob, while oscillator 2 has a pitch control that can be adjusted against oscillator 1’s pitch to create some really sweet modulation effects. To top it all off, these can be mixed and blended together with an external audio signal to get a truly unique sound.   Even More Control The Control Oscillator section is where things start to get interesting. This section features a flexible LFO with six waveform shapes such as a sine wave, rising sawtooth, falling sawtooth, square wave, noise and random which can be further manipulated with the Frequency and Pitch knobs. A noise generator that dramatically expands waveform generation and can be mixed in to create additional percussion sounds. The WASP DELUXE also comes with a switchable, multi-mode VCF with Lo, Hi, Band and Notch filter options as well as a Freq and Q setting where you can play with the filter cut-off and width to get some really wild sounds that can add some spice to your music.   Pushing the Envelope Next in the chain is where you can create some very intricate patches. The WASP DELUXE has two analogue Envelope Generators for modulating the VCA and VCF. The VCA Envelope section contains an Attack, Decay, Sustain Level/Repeat knob as well as a hold switch that can be used to sustain a note indefinitely while the Control Envelope features Attack, Decay and Delay/Repeat knobs. Set these just right to get millisecond-quick notes ala Kraftwerk or create long atmospheric synth beds just like Vangelis in Bladerunner.   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), WASP DELUXE’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970’s predecessor.   Euro rack Ready Designed to handle the rigors of life on the road or in the studio, your WASP DELUXE can easily be transferred into a standard Euro rack case for the perfect integration into your existing system.   Controls & Connectivity We just can’t help ourselves – like you, we’re gear-heads, too. For those who want the numbers, WASP DELUXE has 29 controls, all laid out in a highly intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Main Audio via a 3.5mm TRS connection; LOW and HIGH Main outs via a ¼" TRS connection.   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, WASP DELUXE gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analogue sound – it calls for the Behringer WASP DELUXE!  

    R 3,600.00

  • Behringer Deepmind 12 12-Voice Polyphonic Synthesizer.

    Behringer Deepmind 12 12-Voice Polyphonic Synthesizer

    Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 12 True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control, and Built-In Wifi. Product Features  Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds
. 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion
 12 voices with 2 analog OSCs per voice with oscillator sync mode
 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering
 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes
 Flexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters
 32-step control sequencer with adjustable slew rate and MIDI sync
 Full remote control via iPad*/PC/Mac* App over USB, MIDI or built-in WiFi for extended parameter control
 49 semi-weighted full-size keys featuring velocity sensitivity and after-touch
 Pure analog signal path based on legendary VCF and VCA designs
 OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation
 OSC 2 generates square/pulse waveforms with tone modulation
 Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance
 Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves
 Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 12 voices per note
 Global noise generator dramatically expands waveform generation
 Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes
 Sophisticated arpeggiator with tap tempo button and user-configurable pattern modes
 Chord and PolyChord memories enable polyphonic performances from monophonic playing styles
 True bypass mode for pure and high-integrity analog tone
 Global variable 6 dB high pass filter with the powerful bass boost switch
 26 sliders and one switch per function give direct and real-time access to all important parameters
 Spring-loaded pitch and assignable modulation wheels provide total hands-on performance
 LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection
 1024 user program memories with? compare and match? feature to quickly match all analog controls to values stored in program
 Fully servo-balanced stereo outputs for the highest signal integrity
 CV/pedal input for connection to modular systems
 Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)
 Integrated and configurable WiFi client / Access point allows an easy and secure connection to a home network
   DEEPMIND 12 With the creation of DEEPMIND 12, the ultimate true analog, 12-voice polyphonic synthesizer is finally a reality. DEEPMIND 12 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12 gives you complete control over your soundscape. Plus, DEEPMIND 12 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI, or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights.   Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12 boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12 serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 12 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.   Remote Control Comprehensive remote control is available for DEEPMIND 12 via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.   Ultra-Expressive Keyboard The keyboard features 49 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 12’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 12 always responds to your touch with 3 different selectable velocity and aftertouch curves.   Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12 a boldly unique and fresh character not found in competing products.   Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.   Big, Fat Tones DEEPMIND 12 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12's extreme versatility empowers you to be your creative best.   Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.   Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.   Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12 allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys   True Bypass Mode The FX menu of the DEEPMIND 12 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.   High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.   You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.   Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 12 the ultimate live performance and studio-ready synthesizer.   Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.   Something to Remember The patches loaded into DEEPMIND 12's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12 provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 12's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.   WiFi Router Not Required You can easily tap into your home network via DEEPMIND 12's integrated and configurable WiFi client / Access point, without any additional hardware.  

    R 18,500.00

  • Behringer Deepmind 12D 12-Voice Polyphonic Desktop Synthesizer.

    Behringer Deepmind 12D 12-Voice Polyphonic Desktop Synthesizer

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.DEEPMIND 12D True Analog 12-Voice Polyphonic Desktop Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-In Wi-Fi Product Features: Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds Desktop version for stage performance or rack mount operation with rack mount brackets included 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion 12 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with over 20 sources and 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac*App over USB, MIDI or built-in Wi-Fi for extended parameter control Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 12 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high integrity analog tone Global variable 6 dB high pass filter with bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with compare and match feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Integrated and configurable Wi-Fi client / Access point allows easy and secure connection to home network Designed and engineered in the U.K.   DEEPMIND 12D With the creation of the DEEPMIND 12D, the ultimate true analog, 12-voice polyphonic synthesizer in a convenient desktop or rack mount format is finally a reality. DEEPMIND 12D allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12D gives you complete control over your soundscape. Plus, DEEPMIND 12D features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI or built-in Wi-Fi – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12D’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 12D’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 12D, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) The GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12D boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought-after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12D also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12D has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12D serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 20 modulation sources and more than 130 destinations, DEEPMIND 12D provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 12D via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.     Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12D's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12D a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12D has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 12D provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12D's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12D lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12D's arpeggiator can operate across up to 6 octaves, and you can choose from 32 pre-set rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12D allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 12D is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12D lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12D has: 26 sliders; 33 switches; 1 rotary encoder; and 2 knobs – all are laid out in a highly-intuitive format designed to put the joy back into your music creation. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 12D's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12D provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 12D's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.   Wi-Fi Router Not Required You can easily tap into your home network via DEEPMIND 12D's integrated and configurable Wi-Fi client / Access point, without any additional hardware.

    R 18,600.00

  • Behringer TD-3 BB Analog Bass Line Synthesizer (Baby Blue).

    Behringer TD-3 BB Analog Bass Line Synthesizer (Baby Blue)

    Behringer TD-3-BB Analog Bass Line Synthesizer TD-3-BB Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-BB Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BB lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BB is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-BB, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-BB its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right out-of-the Box! Your TD-3-BB comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-BB’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-BB’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer & Arpeggiator The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-BB are fun, mesmerizing and totally addictive... Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em! 16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-BB’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-BB has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-BB’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices! Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-BB gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-BB!

    R 2,300.00

  • Behringer TD-3 RD Analog Bass Line Synthesizer (Red).

    Behringer TD-3 RD Analog Bass Line Synthesizer (Red)

    TD-3-RD   Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain   Product Features  Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds
 Authentic reproduction of original circuitry with matched transistors
 Pure analog signal path based on legendary VCO, VCF and VCA designs
 Sawtooth and square waveform VCO with transistor wave-shaping circuitry
 Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
 Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
 Arpeggiator with wide patterns for great sound effects
 Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds
 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
 11 controls and 28 switches to give you direct and real-time access to all important parameters
 MIDI and USB implementation with MIDI channel and Voice Priority selection
 3-Year Warranty Program*
 Designed and engineered in Italy
   TD-3-RD Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-RD lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-RD is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-RD, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-RD comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-RD’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-RD’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-RD’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-RD has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-RD’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!  

    R 2,300.00

  • Behringer TD-3-TG Analog Bass Line Synthesizer (Orange Translucent),fastrak-sa.

    Behringer TD-3 TG Analog Bass Line Synthesizer (Orange Translucent)

    TD-3-TG Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-TG Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-TG lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-TG is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-TG, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-TG its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-TG comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-TG’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-TG’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-TG are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-TG’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-TG has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-TG’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-TG gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-TG! Visit your dealer to experience the stunning TD-3-TG or get yours online today. Music never felt this good!

    R 2,600.00

  • Behringer TD-3 GP Analog Bass Line Synthesizer (Purple).

    Behringer TD-3 GP Analog Bass Line Synthesizer (Purple)

    Behringer TD-3-GP-SAA Analog Bass Line Synthesizer Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-GP Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-GP lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-GP is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-GP, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-GP its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-GP comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-GP’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-GP’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-GP are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!    16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-GP’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-GP has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-GP’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!

    R 2,600.00

  • Behringer TD-3 SD Analog Bass Line Synthesizer (Strawberry).

    Behringer TD-3 SD Analog Bass Line Synthesizer (Strawberry)

    TD-3-SB Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-SB Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-SB lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-SB is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-SB, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-SB its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-SB comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-SB’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-SB’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-SB are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!    16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-SB’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-SB has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SB’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-SB gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-SB! Visit your dealer to experience the stunning TD-3-SB or get yours online today. Music never felt this good!

    R 2,600.00

  • Behringer TD-3 LM Analog Bass Line Synthesizer (Lime).

    Behringer TD-3 LM Analog Bass Line Synthesizer (Lime)

    TD-3-LM Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-LM Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-LM lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-LM is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-LM, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-LM its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-LM comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-LM’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-LM’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-LM are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-LM’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-LM has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-LM’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!

    R 2,600.00

Synthesizers

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