FTS Microphone POP Filter
The FTS Microphone Pop Filter is an essential studio accessory designed to reduce plosive sounds and vocal distortion during recording. Ideal for podcasting, streaming and studio sessions, it minimises harsh “P” and “B” sounds while protecting your microphone from moisture. The adjustable gooseneck arm and clamp mount make it easy to attach to mic stands for precise positioning.
The adjustable gooseneck arm and secure clamp allow easy attachment to most microphone stands, ensuring flexible positioning for optimal performance. Whether you're setting up a home studio or upgrading your professional recording equipment, the FTS Pop Filter enhances sound quality and protects your microphone from moisture and saliva build-up. Reliable, affordable and easy to use, it’s a must-have for clean, professional audio results.
Features
Dual-layer pop filter screen
Flexible gooseneck arm
Clamp for mic stand mounting
Reduces plosive sounds
Cleaner vocal recordings
Protects microphone capsule
Easy positioning
Specifications
Type: Microphone pop filter
Mount: Clamp-on
Arm: Flexible gooseneck
Application: Studio recording
What’s in the box?
1 × Pop filter
Clamp mount
Warranty?
12-Months
PM1
Personal In-Ear Monitor Belt-Pack
Product Features
In-ear monitor belt-pack for personal monitor applications
High quality volume control
XLR input with locking mechanism
5 mm mini jack headphones connector
Convenient belt-pack clip included
"Built-like-a-tank", impact-resistant metal chassis
Designed and engineered in Germany
POWERPLAY PM1
Whether you’re a keyboardist, drummer, or any other musician whose performance keeps them anchored in one spot, the PM1 was designed specifically for you. A convenient hardwired personal in-ear control center, the PM1’s belt pack puts monitor control right at your fingertips, plus it’s lightweight, ultra-easy to use – and it doesn’t require a power source!
Volume Control
The PM1 features an extremely high-quality volume control for dialing in the perfect level every time. Designed for long life and super-smooth performance, this detented control stays where you put it.
Locking XLR Input
Because your monitor is crucial to your performance, PM1’s XLR input connector accepts standard mic cables and features a locking mechanism to prevent accidental disconnects. Just press the tab next to the bottom-mounted connector to release the cable at the end of the gig. It is important to note that PM1's XLR input is not designed to accept balanced line signals taken directly from your mixer, as an amplified source is required. For connecting a stereo source, such as your headphone amplifier or mixer's headphone output, you should use a TRS-to-XLR (male to male) cable.
3.5 mm Phones Jack
You can use your favorite headphones, earbuds or custom-molded professional In-Ear Monitors (IEMs) with the PM1, thanks to the top-mounted, standard 3.5 mm (1⁄8") stereo output jack.
Handy Belt Clip
When you do need to move around, say to change your amp or stomp settings, PM1’s built-in belt clip will always keep it close at hand. Just slip the PM1 onto your waistband or belt and let the good times roll!
Sound Value
When it comes to wired monitor applications, you simply will not find a better or more affordable solution, than the amazing PM1 Personal In-Ear Monitor Belt-Pack. Built-like-a-tank, and featuring an impact-resistant metal chassis, the PM1 was made for the road and will give you many years of dependable, highest-quality performance.
Desktop Speaker Volume Controller with XLR Connectivity
Product Features
Desktop speaker volume controller with single ergonomic rotary control knob
High resolution computer-independent analogue level control
Fully balanced design based on XLR connectors
Power free - no power supply required
Smooth ergonomic feel
'Tight grip' rubberized bottom plate
Compact design for easy placement
Extension cable for an organized workplace
Designed and engineered in Denmark
LEVEL PILOT X in Detail
High-Resolution Analogue Volume Control
LEVEL PILOT X puts immediate level control exactly where you need it - right at your fingertips. It does this by using a renowned Bourns potentiometer to ensure accurate, high-resolution analog control over your monitors at all times. Most audio interfaces, digital mixers and other digital audio devices are restricted to digital attenuation of the output signal, reducing the digital-to-analog converter resolution, ultimately rendering a poorer output sound quality. Using LEVEL PILOT X as your analogue level control after the DAW guarantees sonic integrity of your audio signal while keeping level control right there at your fingertips.
Exceptional Clarity in the Signal Path
LEVEL PILOT X uses components and circuitry that optimize signal-to-noise ratios. There are no buffers, batteries, transistors or other tone-sucking components in there - so all that comes out of it are pristine, high-fidelity audio signals.
Compact, Sleek and Sturdy Design
LEVEL PILOT X not only feels like a level control that you can rely on in any situation, it also comes with a brushed aluminum finish to give it a premium look and a smooth, ergonomic feel.
Computer-Independent Operation
Many level control solutions draw additional power from the computer to enable level attenuation - not so with LEVEL PILOT X, which can be operated completely independently of the audio source, be it computer or any other line-level device. In fact, LEVEL PILOT X requires no power to operate, guaranteeing quick and direct control over your monitors.
Balanced and Unbalanced Compatibility
This makes LEVEL PILOT X a real life-saver, fitting into most of today’s analog setups and allowing high quality level control in an endless number of applications.
‘Tight Grip’ Rubberized Base Plate
LEVEL PILOT X feels solid under hand, and the additional slip-free rubberized base plate ensures that LEVEL PILOT X stays exactly where it’s needed.
Quad-Core Fully Balanced XLR Connectivity
LEVEL PILOT X comes with its own discrete quad-core cabling to ensure perfect stereo imaging and left-right tracking - with no messy cabling to clutter up your workspace.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
Midas HUB4 Monitor System HubMonitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes, 48/44.1 kHz AES50 In and Through, Stage CONNECT and 16-Channel Analogue Out
Product Features
Personal monitoring system hub with PoE remote powering for up to 4 DP48 personal mixers and compatible stage boxes
AES50 IN and THRU ports for cascading hubs or stage boxes with 48 bidirectional channels at 48/44.1 kHz
16 balanced analogue outputs for sending 4x2 personal stereo mixes to IEM transmitters in the side rack.
Channel naming and Group assignments can be distributed from compatible M32 consoles.
Midas DL8 Stage Boxes can be connected and powered from ports 1-4
Personal mix outputs can be monitored via AES50 upstream to connected consoles.
Supports remote control forwarding of a DP48 personal mixer from another DP48.
Front panel buttons for sending signals to analogue output groups 1-4, for StageCONNECT and for AES50-A upstream
StageCONNECT output with phantom power for connecting other StageCONNECT devices, sharing 32-channel audio, 24-Bit uncompressed PCM, 44.1/48 kHz, at sub-millisecond latency, over any standard XLR microphone or DMX cable
Remote operation via shielded CAT5e cable up to 260 ft / 80 m length recommended.
Features Neutrik etherCON* AES50 network ports
Rugged 1U chassis for durability in portable applications.
Auto-ranging universal switch-mode power supply
Designed and engineered in the U.K.
Personal Monitoring with DP48
Midas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit / 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.
Cascading Hubs for Large Setups
To meet the challenges of large monitoring setups, HUB4 can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications.
On the other hand, HUB4 can also address situations where you want to connect additional I/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50-B (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4.
Analogue Outputs for IEM Transmitters
HUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. So there is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.
Support from Midas M32 Series Consoles
HUB4 can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units.
Midas DL8 PoE (Power over Ethernet) Powered Stage Boxes
HUB4 easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 can directly power up to 4 stage boxes via PoE support – IEEE802.3at per port – allowing for shorter analogue lines on stage.
Remote Control Forwarding Through HUB4
HUB4 also facilitates one of the exceptional features of DP48 Personal Monitoring systems in which one DP48 unit can be designated as Master and used to control one or more DP48 units in Slave mode. HUB4 ensures that personal mixers are enumerated and that the Master, i.e., the DP48 connected to Port 1 of the first HUB4 in a daisy-chain, can control the respective Slaves. This way either a tech-savvy bandmate or the technician can help talents on stage with their personal monitor sound.
StageCONNECT – The Future of XLR
HUB4 also features a designated StageCONNECT port on the rear panel, anticipating the future of XLR connectivity.
What if any standard XLR, microphone or DMX cable could be used to transmit more than one channel of audio?
What if that cable could transmit signals not only one way, but bi-directionally?
What if that cable would allow the passage of control data or even MIDI at the same time?
What if a connected StageCONNECT device could receive up to 18 W of power through that same cable?
Well, these capabilities are exactly what StageCONNECT delivers – a new interface standard to be released by Music Tribe after two years of development. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. The design we developed will be publicly available free of charge for anyone interested in designing their own audio equipment, compatible with the future of XLR – StageCONNECT.
EtherCON CAT5E-STP for AES50 Remote Connections Up to 100 m Length
HUB4 uses rugged industry-standard EtherCon connectors to ensure stable operation in live production environments. For best performance, a good quality CAT5E STP cable, such as Klark Teknik NCAT5E-50, allows for remote operation up to 100 m distance.
Controls & Connectivity
HUB4’s large backlit front panel buttons show when a device is connected to the corresponding AES50 port and indicate whether the upstream signals are being sent to the desired outputs.
FTS 5M XLR Male to XLR Female Mic Cable – Black
The FTS 5M XLR Male to XLR Female Mic Cable Black (TX009+TX012BK) is designed for professional microphone and audio connections. With balanced signal transmission and durable connectors, it ensures clear, interference-free sound for live performances, studios, and events. The 5-metre length provides flexible positioning while maintaining reliable audio quality. Built with strong outer insulation for long-lasting use.
Built with durable shielding and strong connectors, this black XLR mic cable is suitable for frequent setup and transport. Its flexible yet sturdy design ensures long-term performance in demanding environments. Whether you are a musician, sound engineer or event organiser in South Africa, this 5M XLR cable delivers dependable, high-quality sound for stage and studio applications.
Features
5-metre cable length
XLR male to XLR female
Balanced audio transmission
Durable black outer jacket
Suitable for studio & live use
Clear and stable audio signal
Ideal for stage and studio setups
Flexible cable length
Reliable professional performance
Specifications
Model: TX009+TX012BK
Length: 5m
Connector Type: XLR Male to Female
Application: Microphone cable
What’s in the box?
1 x FTS 5M XLR Male to Female Mic Cable
Warranty?
12-Months
FTS 20M XLR Male to Female Cable
The FTS 20M XLR Male to Female Cable (FTS-TX009-TX012/20M) is built for long-distance professional audio connections. Ideal for stage performances, large venues, and event setups, this 20-metre cable ensures balanced signal transmission with minimal interference. Featuring durable connectors and strong insulation, it delivers dependable audio performance even in demanding live sound environments.
Features
20-metre cable length
XLR male to XLR female connectors
Balanced signal transmission
Heavy-duty insulation
Suitable for large venues
Extended reach for large setups
Clear interference-free audio
Durable stage-ready build
Reliable long-distance performance
Specifications
Model: FTS-TX009-TX012/20M
Length: 20m
Connector Type: XLR Male to Female
Application: Microphone/audio cable
What’s in the box?
1 x FTS 20M XLR Male to Female Cable
Warranty?
12-Months
FTS XLR Male to XLR Female Mic Cable – Orange 10M
The FTS XLR Male to XLR Female Mic Cable Orange 10M (TX009+TX012ORANGE/10M) delivers professional balanced audio transmission for stage and studio use. The 10-metre length provides extended reach for live performances and event setups, while the durable orange outer jacket ensures easy cable identification. Designed for minimal interference and reliable signal clarity.
Features
10-metre cable length
XLR male to XLR female
Balanced audio transmission
High-visibility orange jacket
Suitable for stage & studio
Extended reach for large setups
Clear and stable sound
Easy cable identification
Durable construction
Specifications
Model: TX009+TX012ORANGE/10M
Length: 10m
Connector Type: XLR Male to Female
Application: Microphone cable
What’s in the box?
1 x FTS 10M XLR Mic Cable (Orange)
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable
The FTS 10M XLR Male to XLR Female Mic Cable (TX009+TX012BK) is built for professional audio performance in live events, studios, and PA systems. With balanced signal transmission and durable connectors, it delivers clear, interference-free sound across long distances. The 10-metre length offers flexible setup options, making it ideal for stage performances and larger venues.
Engineered with durable shielding and high-quality connectors, this 10M XLR cable reduces noise interference and maintains clear, balanced audio output. Its robust design withstands frequent use and transport, making it suitable for DJs, sound engineers and musicians across South Africa. Whether for stage or studio, this microphone cable delivers dependable and professional sound performance.
Features
10-metre cable length
XLR male to XLR female
Balanced audio transmission
Durable black outer jacket
Suitable for stage & studio
Specifications
Model: TX009+TX012BK
Length: 10m
Connector Type: XLR Male to Female
Application: Microphone cable
What’s in the box?
1 x FTS 10M XLR Mic Cable
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable – Red
The FTS 10M XLR Male to XLR Female Mic Cable Red (FTST-X009+TX012RED/10M) is designed for professional audio performance in live events, studios, and PA systems. With balanced signal transmission and durable connectors, it delivers clear, interference-free sound across extended distances. The high-visibility red outer jacket makes cable identification easy on stage, while the 10-metre length provides flexible setup options for larger venues.
Features
10-metre cable length
XLR male to XLR female
Balanced audio transmission
High-visibility red jacket
Suitable for stage & studio use
Clear and stable audio signal
Easy cable management on stage
Reliable professional performance
Durable construction
Specifications
Model: FTST-X009+TX012RED/10M
Length: 10m
Connector Type: XLR Male to Female
Application: Microphone cable
What’s in the box?
1 x FTS 10M XLR Mic Cable (Red)
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable – Purple
The FTS 10M XLR Male to XLR Female Mic Cable Purple (FTS-TX009+TX012PURPLE/10M) is designed for professional audio connections in live events, studios, and PA systems. Featuring balanced signal transmission, it ensures clear and reliable sound with minimal interference. The 10-metre length provides extended reach for stage setups, while the vibrant purple outer jacket makes it easy to identify among multiple cables during performances or recordings. Built with durable connectors and protective insulation, it is ideal for microphones, mixers, and other professional audio equipment.
Features
10-metre cable length
XLR male to XLR female connectors
Balanced audio signal transmission
High-visibility purple cable jacket
Durable shielding and connectors
Clear and stable audio signal
Extended reach for stage or studio setups
Easy cable identification in complex rigs
Durable design for frequent use
Specifications
Model: FTS-TX009+TX012PURPLE/10M
Length: 10m
Connector Type: XLR Male to XLR Female
Application: Microphone / audio cable
What’s in the box?
1 × FTS 10M XLR Male to Female Mic Cable (Purple)
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable – Yellow
The FTS-TX009+TX012YL 10M XLR Male to XLR Female Mic Cable is designed for professional audio setups where reliable and interference-free signal transmission is essential. With a 10-metre length, it provides flexibility for stage, studio, and live event setups. The balanced XLR connection ensures clean audio performance for microphones, mixers, speakers, and PA systems. Its bright yellow outer jacket allows quick cable identification in complex sound rigs, making it ideal for sound engineers and event technicians. XLR connectors are widely used in professional audio because they provide balanced connections that minimise noise and interference.
Features
10-metre microphone cable
XLR male to XLR female connectors
Balanced audio signal transmission
Durable cable insulation
High-visibility yellow jacket for easy identification
Clear and interference-free audio signal
Ideal for live sound and studio environments
Long cable reach for flexible stage setups
Easy cable identification in large audio rigs
Specifications
Model: FTS-TX009+TX012YL/10M
Length: 10m
Connector Type: XLR Male → XLR Female
Cable Type: Balanced microphone cable
Application: Microphones, mixers, PA systems, studio equipment
What’s in the box?
1 × FTS 10M XLR Male to Female Mic Cable (Yellow)
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable – Green
The FTS 10M XLR Male to XLR Female Mic Cable – Green (FTST-X009+TX012GR/10M) is designed for professional audio environments where reliable and interference-free signal transmission is essential. With a 10-metre length, it provides flexible positioning for microphones, mixers, speakers, and other audio equipment during live performances, studio recordings, and PA setups. The balanced XLR connection helps reduce unwanted noise while maintaining clear sound quality. Its high-visibility green outer jacket also makes cable identification easier in complex stage or studio setups.
Features
10-metre microphone cable
XLR male to XLR female connectors
Balanced audio signal transmission
Durable cable construction
High-visibility green jacket for easy identification
Specifications
Model: FTST-X009+TX012GR/10M
Length: 10m
Connector Type: XLR Male → XLR Female
Cable Type: Balanced microphone cable
Application: Microphones, mixers, audio interfaces and PA systems
What’s in the box?
1 × FTS 10M XLR Male to Female Mic Cable (Green)
Warranty?
12-Months
FTS 10M XLR Male to XLR Female Mic Cable – Blue
The FTS-TX009+TX012BL 10M XLR Male to XLR Female Mic Cable is designed for professional audio connections in studios, live events, and PA systems. With a 10-metre cable length, it provides extended reach for stage setups and larger venues while maintaining reliable signal clarity. The balanced XLR connection helps reduce noise and interference, ensuring clean and stable audio transmission between microphones, mixers, amplifiers, and audio interfaces. Its durable construction and high-visibility blue outer jacket make it easy to identify among other cables during complex stage or studio setups.
Features
10-metre microphone cable
XLR male to XLR female connectors
Balanced audio signal transmission
Durable cable insulation for regular use
High-visibility blue jacket for easy cable identification
Clear and interference-free audio signal
Flexible length for stage and studio setups
Durable construction for frequent professional use
Easy cable management in complex audio rigs
Specifications
Model: FTS-TX009+TX012BL/10M
Length: 10 m
Connector Type: XLR Male → XLR Female
Cable Type: Balanced microphone cable
Application: Microphones, mixers, audio interfaces, and PA systems
What’s in the box?
1 × FTS 10M XLR Male to Female Mic Cable (Blue)
Warranty?
12-Months