Music Tribe

992 CONTROL VOLTAGES Legendary Analog CV Routing Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4-channel CV signal routing to 904A LPF module
 Single external input with inverting attenuator control
 3 switched and summed CV inputs for frequency control of VCF modules
 3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
 Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   992 CONTROL VOLTAGES Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Channels The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.   External Input and Attenuator An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.   Ins and Outs 3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.   Eurorack Ready Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music. Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!  

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903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

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Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 6 True Analog 6-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, and Tablet Remote Control Product Features Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms, including Reverb, Chorus, Flanger, Phaser, Delay, and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations, including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with a powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection 1024 user program memories with compare-and-match feature to quickly match all analog controls to values stored in the program Fully servo-balanced stereo outputs for the highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. DEEPMIND 6 With the creation of DEEPMIND 6, the ultimate true analog, a 6-voice polyphonic synthesizer, is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix, and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.   Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that might make you a legend in your own right.   The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best-sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and loves in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) BEHRINGER’s GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*)   FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect.   Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability.   Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects.   3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for.   8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy.   32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.   Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.   Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves.   Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products.   Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.   Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best.   Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.   Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.   Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys.   True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.   High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.   You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.   Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer.   Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.   Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.  

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Deluxe Water Resistant Transport Bag for DEEPMIND 12D Product Features Deluxe water resistant transport bag for desktop synthesizers Rugged black multi-layer nylon outer material prevents ingress of dirt and dust Thick interior foam padding provides superior protection in transit Integral carry handles and shoulder strap Ideal for Behringer DEEPMIND 12D Polyphonic Synthesizer Designed and engineered in the U.K. DEEPMIND 12D-TB You depend on your DEEPMIND 12D Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, waterresistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12D-TB is a “must-have” accessory for your DEEPMIND 12D synth. Protection Against the Elements The rugged DEEPMIND 12D-TB helps keep your DEEPMIND 12D free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances. Made to Travel Equipped with convenient carry handles and shoulder strap, the transport bag cradles your DEEPMIND 12D in a thick layer of interior padding for exceptional protection during transit.  

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CP3A-O OSCILLATOR CONTROLLER Legendary Analog Oscillator Controller Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 switches allows you to send CV to one or more oscillators
 External input jack with dedicated attenuator control
 3 switched and summed CV inputs for frequency control of VCO modules
 3 parallel CV outputs can drive multiple 921A/B oscillator modules
 Eurorack specs: 8 HP, 5 mA +12 V, 5 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP3A-O OSCILLATOR CONTROLLER Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the “Modular 55 and 35” series mixers used by the world’s most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.   Switch It Up The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.   Ins and Outs You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they’re connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.   Eurorack Ready Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP3A-O OSCILLATOR CONTROLLER module from Behringer is a great tool to have when creating amazing music.  

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CP35 ATTENUATORS   Legendary Analog Attenuator and Multiples Module for Eurorack   Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 passive attenuators with linked inputs
 Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
 Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
 Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP35 ATTENUATORS Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Attenuators The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.   More Than Just Outputs Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!   Eurorack Ready Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.  

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FBQ3102HD   High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. Product Features Professional 31-band stereo graphic equalizer for live and studio applications
 Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
 Ultra-low noise 4580 operational amplifiers for highest signal integrity
 Dedicated mono subwoofer output with adjustable crossover frequency
 Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
 Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
 Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRAGRAPH PRO FBQ3102HD Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ3102HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the highfrequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix     FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!   Ultra-Low Noise Operation The high-definition FBQ3102HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 15-bands of smooth and precise equalization per channel, the stereo FBQ3102HD adds the finishing professional touch to your recordings and live shows.   Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ3102HD features an ultra-effetive Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ3102HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!   Built in Crossover Speaking of special low-frequency tools, the FBQ3102HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.   Stereo or Double-Duty? The FBQ3102HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. FBQ6200HD   High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Product Features  Audiophile 31-band stereo graphic equalizer for live and studio applications
 Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
 Ultra-low noise 4580 operational amplifiers for highest signal integrity
 Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
 Pink noise generator provides test signals to adapt your sound system to any room acoustics
 Mono subwoofer output with dedicated level control and adjustable crossover frequency
 Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
 Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
 Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
 Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
 "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
 Designed and engineered in Germany
   ULTRAGRAPH PRO FBQ6200HD Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little… until now! The ULTRAGRAPH PRO FBQ6200HD takes the graphic equalizer into the realm of high-definiton audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix     FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!   Ultra-Low Noise Operation The high-definition FBQ6200HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 31-bands of smooth and precise equalization per channel, the stereo FBQ6200HD adds the finishing professional touch to your recordings and live shows.   Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ6200HD features ultra-precise, variable High- and Low-Cut filters on each channel, with a sweepable frequency that helps remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ6200HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!   Built in Crossover Speaking of special low-frequency tools, the FBQ6200HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.   Stereo or Double-Duty? The FBQ6200HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equalizer; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.   FBQ6200HD – Much More Than Just a Great EQ Sure it’s an incredible high-definition graphic equalizer, but the FBQ6200HD has even more features, such as switchable limiters on each channel with separate Threshold controls, long-throw 45 mm frequency faders for added precision, and a built-in Pink Noise generator that enables the FBQ6200HD to function as a highly-accurate audio spectrum analyzer.

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FLOW CLAMP Microphone Stand Mounting Clamp for FLOW Mixers Product Features Mic-stand mounting clamp for FLOW Digital Mixer series Attaches to standard mic stands Quick and easy mounting design Sturdy construction for long life   Simple and Solid The FLOW CLAMP is based on the original TC Helicon PERFORM Series side cap design, using a special material that combines extreme longevity and a dependable, firm connection with the mic stand. It consists of a metal bracket that is screwed to the mixer and the proprietary plastic part that clips on to the mic-stand without any screws. You can choose to mount the clamp to the bracket in 3 angles (0°, 15°, 30°) depending on your preferred mixer orientation.   Control on your Fingertips The FLOW CLAMP is designed to bring your FLOW mixer within reach during your performance. On stage for a small club gig or in a recording setup, the best place will often be right at your microphone stand. It avoids unnecessary cable clutter and keeps the control surface of your FLOW mixer permanently accessible. The clamp is designed for standard 5/8” microphone stands diameter (not exceeding 16.5 mm).   Future Proof Design Tested for a maximum torque of 4 Nm, the construction provides extremely high durability, simplicity and light weight, making it ideal as a multipurpose, one-hand operated microphone stand mount.

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HLC 660M  Multipurpose Headphones with Built-in Microphone  Product Features  The ideal headphone/microphone system for DJ's, broadcasters, podcasters, music labs, and gamers  50 mm dynamic drivers deliver wide frequency response (20 Hz - 20 kHz) with deep, rich bass and detailed highs  Combines high-quality, noise-reducing headphones with a super-sensitive microphone  Mic features broad frequency response (100 Hz - 20 kHz) for unparalleled warmth and intelligibility  Over-ear circumaural design with ultra-soft ear cups and fully-adjustable, cushioned headband  Closed-back design ensures a consistent listening environment with exceptional sound isolation  Optimized performance for use with a wide range of professional and consumer audio devices  Designed and engineered in Germany    HLC 660M  Whether you’re mixing a recording, monitoring a bass line – or enjoying a conversation with your favorite friend you want headphones that deliver a wide frequency response and high dynamic range. Behringer's HLC 660M headphones provide incredible high-resolution performance.   Let Them Blow Your Mind  HLC 660M headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband; and a ¼ " adapter for the 1⁄8" connector, HLC 660M headphones are compatible with everything from your smartphone – to your mixing console.    Just Listen…  With the amazing HLC 660M headphones, you get truly-exceptional, high-resolution sound reproduction – at a price that will leave money in your pocket for more tunes or more studio gear!  Place your order online today!   

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MOTOR FADER MF60T   Set of 5 High-Performance 60 mm Motor Faders for MOTÖR Keyboards Series Product Features  Motorized 60 mm Fader for MOT?R keyboards series
 High-endurance up to 300,000 cycle lifetime
 Premium quality wiper fingers made from phosphor bronze with silver-coating
 High-quality belt and gear for fast and smooth operation
 High-precision 10 k? linear resistive track
 Long-life, industry-proven Mabuchi* motor
 Designed and engineered in Germany
   MOTOR FADER MF60T All electro-mechanical parts eventually wear down, and that holds true for the motorized faders in our MOTÖR keyboards – they undergo the wear and tear of heavy use. The MF60T is the same motorized 60 mm fader that came in your MOTÖR 61 or MOTÖR 49, making it the ideal replacement part for maintaining like-new functionality. The MF60T will extend the lifespan of your MOTÖR keyboard for many more years of the flawless performance you’ve come to rely on.   300,000 Cycle Lifespan Designed to provide flawless performance for up to 300,000 cycles, the MF60T features premium silver-coated phosphor bronze wiper fingers that float gently on the surface of a high-precision 10 kΩ linear resistive track – for the ultimate in longevity and accuracy.   Legendary Mabuchi* Drive Motor The Mabuchi drive motor used in the MF60T is recognized by professional engineers the world over as being ultra-responsive, quiet and long-lived. Adding to the quiet operation of the motor, the nylon gear and belt that moves the wiper assembly is crafted of the highest-quality nylon for fast, smooth performance and long-term reliability.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.PSU-HSB-ALL All-Country DC 9 V / 1.7 A Power Adapter with Daisy-Chain Connectors, Jumper Cables and All-Country Mains Adapters   Product Features  7 A current capacity can power more than 20 effects pedals, keyboards and other DC 9 V gear
 Supplied with a full complement of connectors and jumper cords for total compatibility
 Includes 4 assorted jumper cables and 2 daisy-chain cables each with 5 connectors
 Takes up only one outlet space and frees up more room for your pedals
 Runs on any AC power supply from 100 ? 240 V; worldwide usability without transformer
 Transformer less design eliminates 50/60-cycle hum and extraneous noise
 Designed and engineered in Germany
   POWER THE WORLD PSU-HSB-ALL When the time comes to put your best foot forward on stage, you need the most dependable power you can get for your stomp boxes – and that’s where the PSU-HB-ALL General Purpose DC 9 V Power Adapter comes in…   Massive Power for Your Pedals and More The PSU-HB-ALL provides a more than generous 1.7 Amps of current for both your analog and digital devices. That’s more than enough power to handle up to 20 FX pedals, your keyboards – and practically anything else you’ve got that runs on 9 V DC!   Works with Virtually all FX Pedals For the ultimate in compatibility, the PSU-HB-ALL comes with 4 assorted jumper cables, plus 2 daisy-chain cables (each with 5 connectors), making it ideal for virtually all stomp boxes and effects pedals. And since it only occupies one AC outlet, you’ll have more room for stomp boxes.   Ready for the World Because we know your gear needs to work wherever you go, the PSU-HB-ALL runs on any AC power supply from 100 - 240 V, we included the most common mains adapters for flawless performance. And PSU-HB-ALL’s transformerless design eliminates 50/60-cycle hum and extraneous noise, making your music sound better than ever!  

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