Desktop Speaker Volume Controller with XLR Connectivity
Product Features
Desktop speaker volume controller with single ergonomic rotary control knob
High resolution computer-independent analog level control
Fully balanced design based on XLR connectors
Power free - no power supply required
Smooth ergonomic feel
'Tight grip' rubberized bottom plate
Compact design for easy placement
Extension cable for an organized workplace
Designed and engineered in Denmark
LEVEL PILOT X in Detail
High-Resolution Analogue Volume Control
LEVEL PILOT X puts immediate level control exactly where you need it - right at your fingertips. It does this by using a renowned Bourns potentiometer to ensure accurate, high-resolution analog control over your monitors at all times. Most audio interfaces, digital mixers and other digital audio devices are restricted to digital attenuation of the output signal, reducing the digital-to-analog converter resolution, ultimately rendering a poorer output sound quality. Using LEVEL PILOT X as your analogue level control after the DAW guarantees sonic integrity of your audio signal while keeping level control right there at your fingertips.
Exceptional Clarity in the Signal Path
LEVEL PILOT X uses components and circuitry that optimize signal-to-noise ratios. There are no buffers, batteries, transistors or other tone-sucking components in there - so all that comes out of it are pristine, high-fidelity audio signals.
Compact, Sleek and Sturdy Design
LEVEL PILOT X not only feels like a level control that you can rely on in any situation, it also comes with a brushed aluminum finish to give it a premium look and a smooth, ergonomic feel.
Computer-Independent Operation
Many level control solutions draw additional power from the computer to enable level attenuation - not so with LEVEL PILOT X, which can be operated completely independently of the audio source, be it computer or any other line-level device. In fact, LEVEL PILOT X requires no power to operate, guaranteeing quick and direct control over your monitors.
Balanced and Unbalanced Compatibility
This makes LEVEL PILOT X a real life-saver, fitting into most of today’s analog setups and allowing high quality level control in an endless number of applications.
‘Tight Grip’ Rubberized Base Plate
LEVEL PILOT X feels solid under hand, and the additional slip-free rubberized base plate ensures that LEVEL PILOT X stays exactly where it’s needed.
Quad-Core Fully Balanced XLR Connectivity
LEVEL PILOT X comes with its own discrete quad-core cabling to ensure perfect stereo imaging and left-right tracking - with no messy cabling to clutter up your workspace.
CB 100
Condenser Gooseneck Microphone for Instrument Applications
Product Features
Universal condenser microphone for acoustic instruments
Frequency response designed for string, brass, percussion and wind instruments
Cardioid polar pattern brings clarity and details
Flexible gooseneck shaft for effortless "sweet spot" positioning
Integrated XLR cable for extreme mobility during performance
Extremely high signal output lets the sound cut through
XLR phantom power adaptor
Effective wind and pop noise filters included
Compatible with most instrument clamps (not included)
Impact-resistant carrying case included
Rugged, reliable die-cast body construction
Only the Voice of your Instrument
CB 100 is a very directional microphone, best at isolating from other nearby instruments on stage. You chose the right mic for your instrument to ensure the greatest sound which blocks out the bleed from other sound sources
Place it as You Need, Stays as You Need
The placement of the mics can make a huge difference on the character of the sound you create. You have chosen the right instrument mic with flexible and stable gooseneck, now all you need do is to place the mic in the sweet spot for the best harmonics and enjoy the music you make
Mic Up All Instruments…
CB 100 is the most versatile microphone which allows you to mic up every instrument. You wont ever need another microphone for miking up
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
MIC500USB
Audiophile Vacuum Tube Preamplifier with Preamp Modeling Technology and USB/Audio Interface
Product Features
High-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics
Perfectly matches your studio, live and hard disk recording set-up
Ultra-flexible Preamp Modeling allows you to optimize your recordings
Choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more
Built-in USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
Powerful Phones output with Level control and Direct Monitor select
Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise
Ensures outstanding signal transparency when used as a high-end DI-box
Sophisticated output limiter prevents the output signal from clipping
Dedicated low cut filter eliminates unwanted noise, e.g. floor rumble
+48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility
Highly accurate 8-segment LED level meter
Balanced inputs and outputs on ?" TRS and XLR connectors
Designed and engineered in Germany
TUBE ULTRAGAIN MIC500USB
Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. The TUBE ULTRAGAIN MIC500USB’s handselected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe – in a dependable and ultra-affordable package.
Put A Little Tube In Your Tone
The MIC500USB is perfect for studio and live applications. The balanced XLR and ¼ " TRS inputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation.
The MIC500USB is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tubecompression that will bring your digital tracks to life.
The incredible MIC500USB’s controls consist of: switches for +48 V phantom power, 20 dB pad, Phase Reverse and Limiter; plus vintage-style Gain and Output knobs. An 8-segment LED meter provides accurate monitoring of output levels.
And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC500USB delivers flawless performance and outstanding signal integrity.
A Voice All Your Own
To help you get the most from your new MIC500USB, we’ve provided 16 unique preamp voicings that cover a wide range of applications – including vocals, acoustic and electric guitars, bass, keyboards and more.
Options include: Neutral, for a more natural sound; Warm, for adding the warmth typically associated with analog signals and vacuum tubes; Warm + Limiter, for additional warmth when working with high volume levels, sounds with frequent signal peaks, or directly recording an instrument with a mic (e.g., drums); and Limiter, for adding density and a consistent output level of all notes/sounds below clipping.
Although these voicings have been optimized for specific sound sources, feel free to experiment – you just might find that running vocals through the Warm E-GTR setting is perfect for your project. The amazing MIC500USB opens an entirely new and exciting world of creative possibilities!
Recording Bliss
There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio – and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer.
How do you get all that music flying around your brain into your computer? That’s where the MIC500USB comes in. Thanks to the builtin USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the MIC500USB can be recorded directly to your hard drive. Which brings us to software…
Free Would Be Nice!
Because you’ll want to take full advantage of your MIC500USB’s recording and podcasting potential, we’ve included all the software you’ll need for audio recording, editing and even podcasting – all free of charge and downloadable from behringer.com. You’ll be ready to go live on your PC or Mac right out of the box! We’ve also provided a free download of more than 150 virtual instruments and FX plug-ins – turning your computer into a powerful home-based or mobile recording studio from input to output.
Behringer BU100
Key Feature:
Studio-grade USB boundary microphone for transparent vocal projections
Ideal for streamers, podcasters, gamers, recording and conference calls
Cardioid polar pattern minimizes background noise and feedback
“Plug and play” for easy setup on your desktop computer, laptop, and other USB-enabled audio devices
Exceptional frequency response with high-resolution audio, perfect for voice and acoustic instruments
Integrated noise-reducing circuit for high signal-to-noise ratio
Zero-latency direct monitoring port for speakers or headphones
Convenient mute button with status indicator LED
Peg holes for optional wall mounting
Rugged reliable metal construction
High-quality USB cable included
BU100 – Studio-Grade USB Boundary Microphone
Whether you’re podcasting, gaming, conferencing, or enjoying a conversation with your favourite friend, you want a USB microphone that delivers a wide and linear frequency response with ultra-low noise floor. Our BU100 microphone provides incredible high-quality performance
Monitor and Control
Connect your headphones via 3.5 mm audio out port to monitor with zero-latency while you speak. The built-in easy microphone mute switch with status indicator LED is very handy in some live streaming situations!
Highly Compatible
The plug and play USB interface work with a variety of desktop computers, laptops, tablet PC and USB power supported mobile phones. You’ll be ready to go live on your PC or Mac right out of the box!
Active DI Box with Extended Dynamic Range
Product Features
Active DI box with high-headroom design and +48 V phantom power for extended dynamic range
Fully transformer-isolated design ensures electrical separation between PA and stage equipment
Balanced line input on Neutrik* XLR and high impedance input and link output on 1/4" TRS connectors
20 dB input pad and earth lift switches
Aluminium extrusion casing with protective rubber corners
Compact and rugged design
DN100
The DN100 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher-level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs.
DN100 is built to handle the rigours of life on the road, a thick aluminium extrusion protects the electronics, and in turn is covered by a tough silicone rubber sleeve.
Balanced Transformer-Isolated Output
Exhaustive listening tests using a wide variety of active and passive bass guitars, electro-acoustic guitars and electronic musical instruments were carried out to select the components for DN100 to achieve the best musical sound. Not only was the choice of the audio transformer particularly important in achieving this goal, but the impedances of the surrounding components were also highly critical in getting the best possible performance out of the audio transformer. The line-driving characteristics of the transformer output were carefully optimised to provide the best frequency and phase responses for short and long cables and widely differing line and termination impedances.
Care was taken in the design of the DN100 to avoid audio transformer core saturation and a fixed high pass filter has been included in the signal path to roll off frequencies below those that are musically important. The lowest note on a 5- or 6-string bass guitar is B0 with a frequency of 30.87 Hz, and the lowest note on an 88-key piano keyboard is A0 with a frequency of 27.50 Hz. DN100 still maintains a frequency response of ±0.5 dB at these lowest musical notes.
As well as the transformer in the signal path, DN100 also has a transformer to isolate the power rails to the input circuit from the phantom power supply sourced from the output XLR connector. When used in conjunction with the Earth Lift switch, this full galvanic isolation of input and output interfaces ensures that any risk of earth loops is avoided when taking a direct feed from stage backline equipment.
Dual-Impedance Inputs
A custom instrumentation-grade input circuit was designed for the DN100 using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box.
DN100 features one parallel-connected XLR and two ¼" TRS inputs, one which may also be used a link output for connection to a guitar or bass amplifier. When connecting to the XLR input only, the input impedance is 20 kΩ, ideal for line level equipment and offering even lower noise performance. This input impedance is far too low for guitar and bass pickups and is removed from the circuit when a jack plug is inserted into a ¼" TRS input, resulting in a nominal 1 MΩ input impedance, ideal for passive electric pickups.
Illuminated 30dB Pad and Earth Lift Switches
DN100 features illuminated Pad and Earth Lift switches, which along with the +48V phantom power indicator LED, provide ‘at a glance’ status display, even at wide distances and viewing angles.
The Earth Lift switch separates the input and output grounds, useful in eliminating earth loops between equipment on different mains electricity supplies.
Built for the Road
Featuring a tough aluminium extrusion, the DN100 is designed for the rigours of live concert touring. The protective rubber corners also insulate the DN100 chassis to further enhance its electrical isolation. Premium Neutrik XLR connectors are used to ensure reliable audio connections, night after night.
UFO202
Audiophile USB/Audio Interface with Built-in Phono Preamp for Digitalizing Your Tapes and Vinyl Records
Product Features
High-quality USB/audio interface connects your turntable, cassette player etc. with your computer for recording and playback
Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
Audacity* vinyl restoration, noise-reduction, editing and recording software plus comprehensive podcasting software available for free at behringer.com
Phono input switchable to line input source
Stereo output allows easy connection and playback of computer audio files over your home sound system
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor your input source
Works with your PC or Mac* computer?no setup or drivers required
Powered via USB?no external power supply needed
Designed and engineered in Germany
Don’t Know What These Are? Then, Move Along, Nothing to See Here...
But, if you do, and you love them as much as we do, you’re also going to love the amazing UFO202 – the simple and affordable way to get your vinyl records and tapes into the digital realm.
The U-PHONO UFO202 is supremely-easy to use and comes with a bevy of professional software that, not only converts your favorite recordings into a computer-based music library – but removes the scratches and pops so common to vinyl media. State-of-the-art, switchable Line/Phono preamps and digital converters ensure the utmost in sound quality, making the U-PHONO UFO202 Audio Interface a must-have for every audiophile.
Versatility of a Powerful Miniature Interface
The UFO202 boasts an impressive set of features for its micro size. Use the UFO202’s RCA Inputs and Outputs to connect your computer and your mixing console, tape deck, keyboard, sound modules and active monitors, to just name a few of the myriad options.
Additionally, when you connect the UFO202’s outputs to your mixer’s input channels, you gain access to EQ, Aux Sends and much more – allowing you to build extremely-versatile monitor mixes for your recording sessions.
48 kHz Precision
You take your tracks seriously, and the UFO202 respects them too, providing 48 kHz resolution, for the amazingly-detailed and pristine recording quality your music deserves.
Getting Connected
The UFO202 features a stereo input for connecting turntables or any line-level device (such as a mixer or tape deck), plus a stereo analog output for connecting active speakers or studio monitors.
You can also connect electronic instruments with RCA connections, such as keyboards, sound modules, and drum machines directly to your computer for recording. The Volume control allows you to set the level of the stereo headphones.
Free Would Be Nice!
Because you’ll want to take full advantage of the UM2’s recording and podcasting potential, we’ve included all the software you’ll need for audio recording, editing and even podcasting – all free of charge and downloadable from behringer.com.
You’ll be ready to go live on your PC or Mac right out of the box! We’ve also provided a free download of more than 150 virtual instruments and FX plug-ins – turning your computer into a powerful home-based or mobile recording studio from input to output.
UCA222
Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output
Product Features
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Massive software bundle including Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins downloadable at www.behringer.com
Works with your PC or Mac* computer?no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB?no external power supply needed
Designed and engineered in Germany
U-CONTROL UCA222
The U-CONTROL UCA222 allows you to connect instruments and other audio devices to your computer, effectively merging the analog and digital worlds. It accomplishes this by providing two analog mono Inputs and Outputs (for monitoring), USB connectivity and an additional S/PDIF optical output. The stereo headphone output features a dedicated level control and lets you listen to both the input and output. We even give you all the software you’ll need to get started!
Imagine the Possibilities…
When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA222 RCA Outputs to the Tape Input jacks of your mixer or to your powered monitors. Connecting to the mixer input channels allows you to use your mixer’s Aux Send feature to build an extremely-versatile monitor mix for recording sessions.
Tons of Free Software
To truly get the most out of your UCA222, you will need recording and editing software. So, we made it easy, providing a single place for you to download lots of free software including: Audacity is an easy-to-use audio editor and recorder for Windows, Mac OS X and Linux operating systems. With Audacity you can: - Record live audio -Convert tapes and records into digital recordings or CDs - Edit Ogg Vorbis, MP3, WAV or AIFF sound files - Cut, copy, splice or mix sounds together - Change the speed or pitch of a recording - And much more…
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer HA400 4-Channel Headphones Amplifier
MICROAMP HA400
If you're tracking more than one musician at a time, or if everyone in the group wants to listen to the playback, you need a monitor distribution system. A distribution system allows everyone to listen in, and control the volume of his or her own headphones. The compact and flexible HA400 can power up to 4 pairs of headphones and up to 4 independent volumes, with outstanding audio quality – even at maximum volume!
Ultra-Compact 4-Channel Stereo Headphone Amplifier
• Ultra-compact headphone amplifier system for studio and stage applications
• 4 independent stereo high-power amplifier sections
• Highest audio quality with virtually all types of headphones even at maximum volume
• Phones Level control per channel
• DC 12 V adapter included
• Designed and engineered in Germany
Altogether Now
You can use this super-compact stereo headphone amplifier with practically any headphones – four of them at the same time, to be exact! Let up to 4 different people in your studio listen to the main mix while recording, and each listener can determine their own preferred volume level using the dedicated output level controls. The HA400 contains 4 high-power stereo amplifiers that maintain the highest sonic quality even at maximum volume levels. Ultra low-noise 4580 operational amplifiers are employed for outstanding audio performance – these are the same op amps found in “full-size” audio equipment – plus, a dedicated 12-Volt DC adapter is included.
Great Sound, Great Value
When a recording session calls for everyone's heads – and ears to be in the game, the HA400 is the perfect solution – and a real money-saver! Let your ears guide you by checking out the amazing HA400 at a BEHRINGER dealer near you – or get yours online today.
*Unit comes with an international power supply and will need a South African power adaptor to work.
Product Features
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
High-resolution 48 kHz converters for high-end audio quality
Works with your PC or Mac* computer - no setup or drivers required.
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB - no external power supply needed
U-CONTROL UCA202
The BEHRINGER UCA202 allows you to connect instruments and other audio devices to your computer, effectively merging the analog and digital worlds.
It accomplishes this by providing two analog mono Inputs and Outputs (for monitoring), USB connectivity and an additional S/PDIF optical output. The stereo headphone output features a dedicated level control and lets you listen to both the input and output.
Imagine the Possibilities…
When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA202 RCA Outputs to the Tape Input jacks of your mixer or to your powered monitors.
Connecting to the mixer input channels allows you to use your mixer’s Aux Send feature to build an extremely versatile monitor mix for recording sessions.
Value
For a mere fraction of the cost of an USB audio interface from other brands, you can have state-of-the-art digital conversion and hassle-free connectivity between your PC or Mac Computer and any piece of audio equipment.
Bridging the gap between your music and the rest of the world—the BEHRINGER U-CONTROL UCA202. Check one out at your local dealer today!
FTS-STUDIO22 Professional Audio Interface (FTS-Q22)
The FTS - Studio22 is a 2 input 2 output sound card with the following hardware features:
Input 1 [Microphone/Line1]-This allows for connection of both XLR, ¼” TR, and TRS plugs.
Hi-Z switch-This button activates the instrument amplication feature in Input 2.
Input 2 [Microphone/Line2]-This allows for connection of both XLR, ¼” TR, and TRS plugs.
Input 1 Peak Light- This light will light Red up if the signal is too loud, reduce the Gain 1 knob to avoid distorted recordings.
Input 1 Signal Light- This will light up Green if there is a signal coming into Input 1.
Gain 1 knob- This Controls the amount of Gain coming into Input 1.
Input 2 Signal Light- This will light up Green if there is a signal coming into Input 2.
Input 2 Peak Indicator- This light will light Red up if the signal is too loud, reduce the Gain 2 knob to avoid distorted recordings.
Gain 1- This Controls the amount of Gain coming into Input 1.
Headphone output- allows for connection of headphones using 3.5MM TRS Jack.
Phones-This controls the volume of the connected headphones.
+48V Light- This will light up Green if phantom power is active.
Power Light-Light will light up Red when the sound card has power.
Output Control- Control the amount of volume on the main output.
USB 2.0 Port- Used to connect the Engineer 2i2o to Computers or Mobile devices (additional hardware and apps required.).
Power source- This switch allows for the sound card to receive power from the USB 2.0 port or from the Micro USB port.
5V DC port- Used to power the sound card when used with a mobile device. Plug a Micro USB cable into the Micro USB port,
then into a power source. Connect the USB 2.0 into a USB input device on a mobile device.
+48V- When switched on Phantom power will be active on Input 1 & 2.
Stereo/Mono switch-When pushed in, all inputs will playback mono, when pushed out all inputs will input stereo.
Monitor switch- When pushed in out, all outputs will playback live input, when pushed out, all outputs will playback software audio.
Gain Control- When pushed out, input gain is controlled by Gain knobs, when pushed in, the gain is determined by software.
Main Output L/R- Allows for output connection using ¼” TRS plugs.
The FTS-Studio 22 soundcard is compatible with both Microsoft Windows and Apple OSX operating systems.
For Microsoft Windows, please download the required driver from https://www.fastrak.co.za/products/asio4all and follow the installation instructions.
For Apple OSX no additional driver is required. Once you have completed installing the ASIO4ALL driver, simply connect the soundcard to your computer using the provided USB Cable. The FTS - Studio22 is compatible with all DAW software that recognises ASIO4ALL and Core Audio Drivers.
AT2020 Studio condenser microphone
Description
The AT2020 is a versatile and affordable microphone suitable for various content creators, including musicians, podcasters, and streamers. This side-address condenser microphone delivers critically acclaimed sound quality and effortlessly handles high SPLs.
With its cardioid polar pattern, the AT2020 ensures exceptional sound reproduction while effectively reducing unwanted background noise, making it ideal for home recording studios. The AT2020 cardioid condenser microphone boasts professional-grade sound and a wide dynamic range, making it suitable for a range of applications. Featuring a custom-engineered low-mass diaphragm, this microphone offers extended frequency response and superior transient response, catering to the needs of musicians recording vocals in home studios and content creators on social media platforms.
Features
Price/performance standard in side-address studio condenser microphone technology
Ideal for project/home-studio applications
High SPL handling and wide dynamic range provide unmatched versatility
Custom-engineered low-mass diaphragm ensures extended frequency response and superior transient response
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Accessories Included: Stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch
Specifications:
Element
Fixed-charge back plate, permanently polarized condenser
Polar Pattern
Cardioid
Frequency Response
20-20,000 Hz
Open Circuit Sensitivity
-37 dB (14.1 mV) re 1V at 1 Pa
Maximum Input Sound Level
144 dB SPL, 1 kHz at 1% T.H.D.
Noise
20 dB SPL
Dynamic Range
124 dB, 1 kHz at Max SPL
Signal-to-Noise Ratio
74 dB, 1 kHz at 1 Pa
Phantom Power Requirements
48V DC, 2 mA typical
Weight
12.1 oz (345 g)
Dimensions
6.38″ (162.0 mm) long, 2.05″ (52.0 mm) maximum body diameter
Output Connector
Integral 3-pin XLRM-type
Accessories Included
Stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch
Accessories Included
AT2020 (black model): Stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch
Audio-Technica Case Style
R7